Vito Acconci. Spaces of Play
This article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance ar...
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Association Française d'Etudes Américaines
2013
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oai:doaj.org-article:d762ff4f80424c31b7902a56e0e96f892021-12-02T10:15:31ZVito Acconci. Spaces of Play1765-276610.4000/transatlantica.6612https://doaj.org/article/d762ff4f80424c31b7902a56e0e96f892013-12-01T00:00:00Zhttp://journals.openedition.org/transatlantica/6612https://doaj.org/toc/1765-2766This article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance art, and The American Gift, combining sound and sculpture in a museum space). Acconci strikes a balance between freedom and constraint, playing with existing models according to set protocols in game-like fashion and offering a constantly renewed artistic practice.Monica ManolescuAssociation Française d'Etudes AméricainesarticleVito Acconciconceptual artperformance artlanguage and materialitygames and playthe spaces of artHistory AmericaE-FAmericaE11-143ENFRTransatlantica : Revue d'Études Américaines, Vol 2 (2013) |
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EN FR |
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Vito Acconci conceptual art performance art language and materiality games and play the spaces of art History America E-F America E11-143 |
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Vito Acconci conceptual art performance art language and materiality games and play the spaces of art History America E-F America E11-143 Monica Manolescu Vito Acconci. Spaces of Play |
description |
This article offers an investigation of Vito Acconci’s writings and art from the point of view of play, understood as game and performance. Various examples are analyzed, both literary and artistic (early texts, the emblematic Following Piece, which was one of the earliest examples of performance art, and The American Gift, combining sound and sculpture in a museum space). Acconci strikes a balance between freedom and constraint, playing with existing models according to set protocols in game-like fashion and offering a constantly renewed artistic practice. |
format |
article |
author |
Monica Manolescu |
author_facet |
Monica Manolescu |
author_sort |
Monica Manolescu |
title |
Vito Acconci. Spaces of Play |
title_short |
Vito Acconci. Spaces of Play |
title_full |
Vito Acconci. Spaces of Play |
title_fullStr |
Vito Acconci. Spaces of Play |
title_full_unstemmed |
Vito Acconci. Spaces of Play |
title_sort |
vito acconci. spaces of play |
publisher |
Association Française d'Etudes Américaines |
publishDate |
2013 |
url |
https://doaj.org/article/d762ff4f80424c31b7902a56e0e96f89 |
work_keys_str_mv |
AT monicamanolescu vitoacconcispacesofplay |
_version_ |
1718397479485964288 |