THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE
The author makes a parallel between the ancient baroque, the oriental one and the baroque manner of writting of Dimitrie Cantemir, relating it with the postmodern baroque. The study demonstrates that in all cases the baroque bases on a dichotomic structure, which means on opposites, antitheses and s...
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Academy of Sciences of Moldova
2014
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oai:doaj.org-article:d78e85a9bbfb4015bc310731fd4910cf2021-11-03T18:24:53ZTHE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE1857-0461https://doaj.org/article/d78e85a9bbfb4015bc310731fd4910cf2014-10-01T00:00:00Zhttp://www.akademos.asm.md/files/Barocul%20cantemirian%20si%20barocul%20postmodernist.pdfhttps://doaj.org/toc/1857-0461The author makes a parallel between the ancient baroque, the oriental one and the baroque manner of writting of Dimitrie Cantemir, relating it with the postmodern baroque. The study demonstrates that in all cases the baroque bases on a dichotomic structure, which means on opposites, antitheses and surprising turnings of the narrative act. The novel Istoria ieroglifi că by Dimitrie Cantemir becomes, interpretated by modern and postmodern romanian poets, a model of verbal labyrinth and of proteism of narrative plans. Mihai CIMPOI Academy of Sciences of MoldovaarticlebaroquesynchronizationinterculturalitycivilizationexistencerhetoricimaginaryexperimentalismchangefantasyArts in generalNX1-820ScienceQENRORUAkademos: Revista de Ştiinţă, Inovare, Cultură şi Artă, Vol Nr. 3, Iss 34, Pp 150-155 (2014) |
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DOAJ |
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DOAJ |
language |
EN RO RU |
topic |
baroque synchronization interculturality civilization existence rhetoric imaginary experimentalism change fantasy Arts in general NX1-820 Science Q |
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baroque synchronization interculturality civilization existence rhetoric imaginary experimentalism change fantasy Arts in general NX1-820 Science Q Mihai CIMPOI THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
description |
The author makes a parallel between the ancient baroque, the oriental one and the baroque manner of writting of Dimitrie Cantemir, relating it with the postmodern baroque. The study demonstrates that in all cases the baroque bases on a dichotomic structure, which means on opposites, antitheses and surprising turnings of the narrative act. The novel Istoria ieroglifi că by Dimitrie Cantemir becomes, interpretated by modern and postmodern romanian poets, a model of verbal labyrinth and of proteism of narrative plans. |
format |
article |
author |
Mihai CIMPOI |
author_facet |
Mihai CIMPOI |
author_sort |
Mihai CIMPOI |
title |
THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
title_short |
THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
title_full |
THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
title_fullStr |
THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
title_full_unstemmed |
THE CANTEMIRIAN BAROQUE AND THE POSTMODERN BAROQUE |
title_sort |
cantemirian baroque and the postmodern baroque |
publisher |
Academy of Sciences of Moldova |
publishDate |
2014 |
url |
https://doaj.org/article/d78e85a9bbfb4015bc310731fd4910cf |
work_keys_str_mv |
AT mihaicimpoi thecantemirianbaroqueandthepostmodernbaroque AT mihaicimpoi cantemirianbaroqueandthepostmodernbaroque |
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1718445486827896832 |