Architects as Memory Actors: Ruins, Reconstructions, and Memorials in Belgrade
This article examines the reshaping of Belgrade’s memorial landscape after the Second World War and after the 1999 NATO bombings, with a focus on the role of architects. As such, the paper shifts the scale of memory debates in two ways: first, from the national to the urban; second, from ‘classic...
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| Formato: | article |
| Lenguaje: | EN |
| Publicado: |
Centre for Southeast European Studies
2021
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/d83655b7bb9545498fa2cdca6ffdb282 |
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| Sumario: | This article examines the reshaping of Belgrade’s memorial landscape after the
Second World War and after the 1999 NATO bombings, with a focus on the role
of architects. As such, the paper shifts the scale of memory debates in two ways:
first, from the national to the urban; second, from ‘classical’ memory
entrepreneurs of the political realm to city makers, usually perceived as
‘technical’ actors, but, as the paper argues, in fact relevant memory actors both
through the way they influence sites of memory and through memory debates.
The article places the engagement of architects with narratives of heroism and
victimhood in Serbia in a historical perspective, examining the shift in
memorialisation after the Second World War. It then discusses the hesitant
approaches on engaging with ruins of the 1999 NATO bombing, highlighting
frictions between various actors in the Generalštab debate. Finally, it analyses
the distinctive memorial engagement with the ruins of the Radio Television of
Serbia (RTS) building by examining the bottom-up process of the competition
for the RTS memorial. The article highlights that, even if not intentionally or
by embracing memory-work, architecture and architects play a role in memory
processes, while deeply enmeshed in constellations of political and economic
power. |
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