"S. T."
This text reflects on the implications of gender violence in the creative act. It is a sincere verbalisation of the challenges of the subject both for the artist and for the work of art. The figure of Diana, the Hunter, appears as a female construction with multiple hermeneutical possibilities.
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Universitat de Barcelona
2010
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oai:doaj.org-article:d8751a2af17c46d0b05d44f7e24215862021-12-02T18:10:38Z"S. T."1136-57812013-9470https://doaj.org/article/d8751a2af17c46d0b05d44f7e24215862010-07-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/6547https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This text reflects on the implications of gender violence in the creative act. It is a sincere verbalisation of the challenges of the subject both for the artist and for the work of art. The figure of Diana, the Hunter, appears as a female construction with multiple hermeneutical possibilities.Francesca LlopisUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 8 (2010) |
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DOAJ |
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CA EN ES EU FR GL IT PT |
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Women. Feminism HQ1101-2030.7 |
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Women. Feminism HQ1101-2030.7 Francesca Llopis "S. T." |
description |
This text reflects on the implications of gender violence in the creative act. It is a sincere verbalisation of the challenges of the subject both for the artist and for the work of art. The figure of Diana, the Hunter, appears as a female construction with multiple hermeneutical possibilities. |
format |
article |
author |
Francesca Llopis |
author_facet |
Francesca Llopis |
author_sort |
Francesca Llopis |
title |
"S. T." |
title_short |
"S. T." |
title_full |
"S. T." |
title_fullStr |
"S. T." |
title_full_unstemmed |
"S. T." |
title_sort |
"s. t." |
publisher |
Universitat de Barcelona |
publishDate |
2010 |
url |
https://doaj.org/article/d8751a2af17c46d0b05d44f7e2421586 |
work_keys_str_mv |
AT francescallopis st |
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1718378601374547968 |