Audiovisual cultural artifacts of protest in the Basque Country

In this article we propose the emergence of a new kind of visual protest and alternative communication called the Audiovisual Cultural Artifact of Protest (ACAP). These will be studied in the context of the Basque Country, which currently combines structural and conjunctural characteristics that mak...

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Autor principal:	Arkaitz Letamendia
Formato:	article
Lenguaje:	EN
Publicado:	Asia Pacific Network 2014
Materias:	ACAP alternative communication Basque Country protest mass media social justice Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650
Acceso en línea:	https://doaj.org/article/d882e57e8e3944669a5403779085659b
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spelling	oai:doaj.org-article:d882e57e8e3944669a5403779085659b2021-12-02T08:24:59ZAudiovisual cultural artifacts of protest in the Basque Country10.24135/pjr.v20i2.1751023-94992324-2035https://doaj.org/article/d882e57e8e3944669a5403779085659b2014-12-01T00:00:00Zhttps://ojs.aut.ac.nz/pacific-journalism-review/article/view/175https://doaj.org/toc/1023-9499https://doaj.org/toc/2324-2035In this article we propose the emergence of a new kind of visual protest and alternative communication called the Audiovisual Cultural Artifact of Protest (ACAP). These will be studied in the context of the Basque Country, which currently combines structural and conjunctural characteristics that make it an outstanding laboratory for the study of these artifacts. A theoretical analysis of the complex relationships between power, communication and resistance will be carried out, and a reading is proposed that deals with the different planes on which these resistances and disputes are expressed. Based on this analysis, four kinds of audiovisual artifacts produced in the Basque Country are studied. For the empirical analysis, the methodological reflections of visual sociology are taken into consideration. The results provide an overview of these Audiovisual Cultural Artifacts of Protest and the theoretical discussion confirms the emergence of these new forms of visual protest, indicating the existence of a broad-based dynamic in which their proliferation and diversification is occurring. The analysis of the case of the Basque Country allows these tactical and communicative innovations to be contextualised and a discussion to take place about the importance of that context, the discourse’s construction and the possible trend towards spectacularisation of the resistances. Caption: #U12Bilbora: MobiLIPDUBzioa Durangon (2012). Arkaitz LetamendiaAsia Pacific NetworkarticleACAPalternative communicationBasque Countryprotestmass mediasocial justiceCommunication. Mass mediaP87-96Journalism. The periodical press, etc.PN4699-5650ENPacific Journalism Review, Vol 20, Iss 2 (2014)
institution	DOAJ
collection	DOAJ
language	EN
topic	ACAP alternative communication Basque Country protest mass media social justice Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650
spellingShingle	ACAP alternative communication Basque Country protest mass media social justice Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650 Arkaitz Letamendia Audiovisual cultural artifacts of protest in the Basque Country
description	In this article we propose the emergence of a new kind of visual protest and alternative communication called the Audiovisual Cultural Artifact of Protest (ACAP). These will be studied in the context of the Basque Country, which currently combines structural and conjunctural characteristics that make it an outstanding laboratory for the study of these artifacts. A theoretical analysis of the complex relationships between power, communication and resistance will be carried out, and a reading is proposed that deals with the different planes on which these resistances and disputes are expressed. Based on this analysis, four kinds of audiovisual artifacts produced in the Basque Country are studied. For the empirical analysis, the methodological reflections of visual sociology are taken into consideration. The results provide an overview of these Audiovisual Cultural Artifacts of Protest and the theoretical discussion confirms the emergence of these new forms of visual protest, indicating the existence of a broad-based dynamic in which their proliferation and diversification is occurring. The analysis of the case of the Basque Country allows these tactical and communicative innovations to be contextualised and a discussion to take place about the importance of that context, the discourse’s construction and the possible trend towards spectacularisation of the resistances. Caption: #U12Bilbora: MobiLIPDUBzioa Durangon (2012).
format	article
author	Arkaitz Letamendia
author_facet	Arkaitz Letamendia
author_sort	Arkaitz Letamendia
title	Audiovisual cultural artifacts of protest in the Basque Country
title_short	Audiovisual cultural artifacts of protest in the Basque Country
title_full	Audiovisual cultural artifacts of protest in the Basque Country
title_fullStr	Audiovisual cultural artifacts of protest in the Basque Country
title_full_unstemmed	Audiovisual cultural artifacts of protest in the Basque Country
title_sort	audiovisual cultural artifacts of protest in the basque country
publisher	Asia Pacific Network
publishDate	2014
url	https://doaj.org/article/d882e57e8e3944669a5403779085659b
work_keys_str_mv	AT arkaitzletamendia audiovisualculturalartifactsofprotestinthebasquecountry
_version_	1718398572005687296

Audiovisual cultural artifacts of protest in the Basque Country

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