El castigo de la miseria: una «maravilla» de pícaros
This paper analyses the link of María de Zayas’s El castigo de la miseria (Novelas amorosas y ejemplares, 1637) to the Picaresque, to which it has been linked since the edition by González de Amezúa (1948). After looking into the typical features of the genre established by Lazarillo de Tormes, I wi...
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
2021
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oai:doaj.org-article:d8c26ef5cf1442c085a2c269bd1cf4492021-12-02T09:52:58ZEl castigo de la miseria: una «maravilla» de pícaros1951-616910.4000/e-spania.41989https://doaj.org/article/d8c26ef5cf1442c085a2c269bd1cf4492021-10-01T00:00:00Zhttp://journals.openedition.org/e-spania/41989https://doaj.org/toc/1951-6169This paper analyses the link of María de Zayas’s El castigo de la miseria (Novelas amorosas y ejemplares, 1637) to the Picaresque, to which it has been linked since the edition by González de Amezúa (1948). After looking into the typical features of the genre established by Lazarillo de Tormes, I will examine its influence over don Marcos and doña Isidora, the main characters of the Madrilenian author’s third tale.Victoria Aranda ArribasCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonnearticleEl castigo de la miseriaMaría de ZayasNovelas amorosas y ejemplaresPicaresqueHistory (General) and history of EuropeDHistory of SpainDP1-402ESFRLAPTE-Spania, Vol 40 (2021) |
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ES FR LA PT |
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El castigo de la miseria María de Zayas Novelas amorosas y ejemplares Picaresque History (General) and history of Europe D History of Spain DP1-402 |
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El castigo de la miseria María de Zayas Novelas amorosas y ejemplares Picaresque History (General) and history of Europe D History of Spain DP1-402 Victoria Aranda Arribas El castigo de la miseria: una «maravilla» de pícaros |
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This paper analyses the link of María de Zayas’s El castigo de la miseria (Novelas amorosas y ejemplares, 1637) to the Picaresque, to which it has been linked since the edition by González de Amezúa (1948). After looking into the typical features of the genre established by Lazarillo de Tormes, I will examine its influence over don Marcos and doña Isidora, the main characters of the Madrilenian author’s third tale. |
format |
article |
author |
Victoria Aranda Arribas |
author_facet |
Victoria Aranda Arribas |
author_sort |
Victoria Aranda Arribas |
title |
El castigo de la miseria: una «maravilla» de pícaros |
title_short |
El castigo de la miseria: una «maravilla» de pícaros |
title_full |
El castigo de la miseria: una «maravilla» de pícaros |
title_fullStr |
El castigo de la miseria: una «maravilla» de pícaros |
title_full_unstemmed |
El castigo de la miseria: una «maravilla» de pícaros |
title_sort |
el castigo de la miseria: una «maravilla» de pícaros |
publisher |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
publishDate |
2021 |
url |
https://doaj.org/article/d8c26ef5cf1442c085a2c269bd1cf449 |
work_keys_str_mv |
AT victoriaarandaarribas elcastigodelamiseriaunamaravilladepicaros |
_version_ |
1718397973576024064 |