From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza

The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntact...

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Autor principal: Ellen Lambrechts
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Publicado: Universitat Autònoma de Barcelona 2019
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Acceso en línea:https://doaj.org/article/d8d8d1e38e61478f941577569cabfd5b
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spelling oai:doaj.org-article:d8d8d1e38e61478f941577569cabfd5b2021-11-26T12:43:20ZFrom Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza10.5565/rev/brumal.6082014-7910https://doaj.org/article/d8d8d1e38e61478f941577569cabfd5b2019-10-01T00:00:00Zhttps://revistes.uab.cat/brumal/article/view/608https://doaj.org/toc/2014-7910 The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntactic and discursive ruptures, whereas the dystopian provokes an extratextual transgression, by projecting Bellatin’s concerns about the exclusion of certain minority communities. Despite their differences, both the fantastic and the dystopian are rooted in reality: the fantastic, in its reliance on what the reader considers possible; the dystopian, in its ability to reveal hidden truths. In this way, the fantastic and the dystopian become a powerful tool in deconstructing – or at least questioning – the reader’s world view. Ellen LambrechtsUniversitat Autònoma de Barcelonaarticlefantasticdystopiantransgressive effectMario BellatinGeneral WorksAENESFRITPTBrumal: Revista de Investigación sobre lo Fantástico, Vol 7, Iss 2 (2019)
institution DOAJ
collection DOAJ
language EN
ES
FR
IT
PT
topic fantastic
dystopian
transgressive effect
Mario Bellatin
General Works
A
spellingShingle fantastic
dystopian
transgressive effect
Mario Bellatin
General Works
A
Ellen Lambrechts
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
description The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntactic and discursive ruptures, whereas the dystopian provokes an extratextual transgression, by projecting Bellatin’s concerns about the exclusion of certain minority communities. Despite their differences, both the fantastic and the dystopian are rooted in reality: the fantastic, in its reliance on what the reader considers possible; the dystopian, in its ability to reveal hidden truths. In this way, the fantastic and the dystopian become a powerful tool in deconstructing – or at least questioning – the reader’s world view.
format article
author Ellen Lambrechts
author_facet Ellen Lambrechts
author_sort Ellen Lambrechts
title From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
title_short From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
title_full From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
title_fullStr From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
title_full_unstemmed From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
title_sort from frantastic to dystopian: the transgressive efect of mario bellatin’s salón de belleza
publisher Universitat Autònoma de Barcelona
publishDate 2019
url https://doaj.org/article/d8d8d1e38e61478f941577569cabfd5b
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