From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza
The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntact...
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Universitat Autònoma de Barcelona
2019
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oai:doaj.org-article:d8d8d1e38e61478f941577569cabfd5b2021-11-26T12:43:20ZFrom Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza10.5565/rev/brumal.6082014-7910https://doaj.org/article/d8d8d1e38e61478f941577569cabfd5b2019-10-01T00:00:00Zhttps://revistes.uab.cat/brumal/article/view/608https://doaj.org/toc/2014-7910 The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntactic and discursive ruptures, whereas the dystopian provokes an extratextual transgression, by projecting Bellatin’s concerns about the exclusion of certain minority communities. Despite their differences, both the fantastic and the dystopian are rooted in reality: the fantastic, in its reliance on what the reader considers possible; the dystopian, in its ability to reveal hidden truths. In this way, the fantastic and the dystopian become a powerful tool in deconstructing – or at least questioning – the reader’s world view. Ellen LambrechtsUniversitat Autònoma de Barcelonaarticlefantasticdystopiantransgressive effectMario BellatinGeneral WorksAENESFRITPTBrumal: Revista de Investigación sobre lo Fantástico, Vol 7, Iss 2 (2019) |
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fantastic dystopian transgressive effect Mario Bellatin General Works A |
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fantastic dystopian transgressive effect Mario Bellatin General Works A Ellen Lambrechts From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
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The present article aims to demonstrate how the fantastic and the dystopian can operate together in order to take full advantage of their inherently transgressive qualities. For this purpose, Mario Bellatin’s Salón de belleza will be analyzed. The fantastic acts intratextually, by producing syntactic and discursive ruptures, whereas the dystopian provokes an extratextual transgression, by projecting Bellatin’s concerns about the exclusion of certain minority communities. Despite their differences, both the fantastic and the dystopian are rooted in reality: the fantastic, in its reliance on what the reader considers possible; the dystopian, in its ability to reveal hidden truths. In this way, the fantastic and the dystopian become a powerful tool in deconstructing – or at least questioning – the reader’s world view.
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format |
article |
author |
Ellen Lambrechts |
author_facet |
Ellen Lambrechts |
author_sort |
Ellen Lambrechts |
title |
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
title_short |
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
title_full |
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
title_fullStr |
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
title_full_unstemmed |
From Frantastic to Dystopian: the Transgressive Efect of Mario Bellatin’s Salón de Belleza |
title_sort |
from frantastic to dystopian: the transgressive efect of mario bellatin’s salón de belleza |
publisher |
Universitat Autònoma de Barcelona |
publishDate |
2019 |
url |
https://doaj.org/article/d8d8d1e38e61478f941577569cabfd5b |
work_keys_str_mv |
AT ellenlambrechts fromfrantastictodystopianthetransgressiveefectofmariobellatinssalondebelleza |
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1718409381381406720 |