Taniec w kręgu: nowe i dawne communitas
Circle Dance: Old and New Communitas Circle dances are observed in various cultures and times. The paper indicates certain social, political and situational contexts of the phenomenon of communal circle dances in remote territories: Catalonia, Balcans, Sakha (Yakutia), Buriatya and USA. The autho...
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Ksiegarnia Akademicka Publishing
2015
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oai:doaj.org-article:d99e4933a9f64bce9a1d138e4ed73fc92021-11-27T13:14:55ZTaniec w kręgu: nowe i dawne communitas10.12797/Politeja.11.2014.31_1.121733-67162391-6737https://doaj.org/article/d99e4933a9f64bce9a1d138e4ed73fc92015-12-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2492https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 Circle Dance: Old and New Communitas Circle dances are observed in various cultures and times. The paper indicates certain social, political and situational contexts of the phenomenon of communal circle dances in remote territories: Catalonia, Balcans, Sakha (Yakutia), Buriatya and USA. The author offers an interpretation of chosen cases in terms of Victor Turner’s concept of communitas. During the communal dances – sardana, corlu mari, yokhor, osuokhai and ghost dance – the idea of community, equality and unity is dominating over social structure divisions and resulting in forming the psychological and social communitas. This is why all analysed circle dances arise in the context of serious menace and destruction of ethnic integrity. Being together in a very literal sense through physical closeness during the same motoric behaviours, common singing produces feeling of power and unification, reinforcing social identity and affirmation to a group. Circle dances are analysed in association with attempts to preserve group cultural and often even biological integrity. Ewa NowickaKsiegarnia Akademicka Publishingarticletaniec w kręgucommunitaszagrożenie etniczneetnicznośćwspólnotowośćobrzędLawKPolitical scienceJENPLPoliteja, Vol 11, Iss 5 (31/1) (2015) |
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taniec w kręgu communitas zagrożenie etniczne etniczność wspólnotowość obrzęd Law K Political science J |
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taniec w kręgu communitas zagrożenie etniczne etniczność wspólnotowość obrzęd Law K Political science J Ewa Nowicka Taniec w kręgu: nowe i dawne communitas |
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Circle Dance: Old and New Communitas
Circle dances are observed in various cultures and times. The paper indicates certain social, political and situational contexts of the phenomenon of communal circle dances in remote territories: Catalonia, Balcans, Sakha (Yakutia), Buriatya and USA. The author offers an interpretation of chosen cases in terms of Victor Turner’s concept of communitas. During the communal dances – sardana, corlu mari, yokhor, osuokhai and ghost dance – the idea of community, equality and unity is dominating over social structure divisions and resulting in forming the psychological and social communitas. This is why all analysed circle dances arise in the context of serious menace and destruction of ethnic integrity. Being together in a very literal sense through physical closeness during the same motoric behaviours, common singing produces feeling of power and unification, reinforcing social identity and affirmation to a group. Circle dances are analysed in association with attempts to preserve group cultural and often even biological integrity.
|
format |
article |
author |
Ewa Nowicka |
author_facet |
Ewa Nowicka |
author_sort |
Ewa Nowicka |
title |
Taniec w kręgu: nowe i dawne communitas |
title_short |
Taniec w kręgu: nowe i dawne communitas |
title_full |
Taniec w kręgu: nowe i dawne communitas |
title_fullStr |
Taniec w kręgu: nowe i dawne communitas |
title_full_unstemmed |
Taniec w kręgu: nowe i dawne communitas |
title_sort |
taniec w kręgu: nowe i dawne communitas |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2015 |
url |
https://doaj.org/article/d99e4933a9f64bce9a1d138e4ed73fc9 |
work_keys_str_mv |
AT ewanowicka taniecwkregunoweidawnecommunitas |
_version_ |
1718408594108448768 |