Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci

The huge constructivist apartment house built in the 1930s in downtown Moscow, on the bank of the Moskva river, owes its present‑day name to Yury Trifonov’s novel The House on the Embankment (1976). Being an example of architecture typical of the Stalinist regime and a symbol of the regime’s triump...

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Autor principal:	Aurelia Kotkiewicz
Formato:	article
Lenguaje:	EN PL
Publicado:	Ksiegarnia Akademicka Publishing 2021
Materias:	totalitaryzm terror trauma pamięć dom Moskwa Law K Political science J
Acceso en línea:	https://doaj.org/article/d9abc79e077143d18c650b4b1ff26338
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spelling	oai:doaj.org-article:d9abc79e077143d18c650b4b1ff263382021-11-27T13:07:57ZDom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci10.12797/Politeja.12.2015.35.111733-67162391-6737https://doaj.org/article/d9abc79e077143d18c650b4b1ff263382021-06-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2324https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 The huge constructivist apartment house built in the 1930s in downtown Moscow, on the bank of the Moskva river, owes its present‑day name to Yury Trifonov’s novel The House on the Embankment (1976). Being an example of architecture typical of the Stalinist regime and a symbol of the regime’s triumph and dominance over man, the house functions as a very special character in Trifonov’s novel. It represents both individual and collective memory, shows the destructive influence of history and politics on the life of an individual and the whole nation. The House on the Embankment, related to the archetypal image of house, which is traditionally perceived as a space of love, safety and family ties, emerges in Trifonov’s novel as an anti‑house, a dehumanizing space in which the intergenerational relations are destroyed and which signifies man’s submission to and fear of authorities. Aurelia KotkiewiczKsiegarnia Akademicka PublishingarticletotalitaryzmterrortraumapamięćdomMoskwaLawKPolitical scienceJENPLPoliteja, Vol 12, Iss 3 (35) (2021)
institution	DOAJ
collection	DOAJ
language	EN PL
topic	totalitaryzm terror trauma pamięć dom Moskwa Law K Political science J
spellingShingle	totalitaryzm terror trauma pamięć dom Moskwa Law K Political science J Aurelia Kotkiewicz Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
description	The huge constructivist apartment house built in the 1930s in downtown Moscow, on the bank of the Moskva river, owes its present‑day name to Yury Trifonov’s novel The House on the Embankment (1976). Being an example of architecture typical of the Stalinist regime and a symbol of the regime’s triumph and dominance over man, the house functions as a very special character in Trifonov’s novel. It represents both individual and collective memory, shows the destructive influence of history and politics on the life of an individual and the whole nation. The House on the Embankment, related to the archetypal image of house, which is traditionally perceived as a space of love, safety and family ties, emerges in Trifonov’s novel as an anti‑house, a dehumanizing space in which the intergenerational relations are destroyed and which signifies man’s submission to and fear of authorities.
format	article
author	Aurelia Kotkiewicz
author_facet	Aurelia Kotkiewicz
author_sort	Aurelia Kotkiewicz
title	Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
title_short	Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
title_full	Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
title_fullStr	Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
title_full_unstemmed	Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci
title_sort	dom nad rzeką moskwą jako architektoniczny i literacki znak pamięci
publisher	Ksiegarnia Akademicka Publishing
publishDate	2021
url	https://doaj.org/article/d9abc79e077143d18c650b4b1ff26338
work_keys_str_mv	AT aureliakotkiewicz domnadrzekamoskwajakoarchitektonicznyiliterackiznakpamieci
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Dom nad rzeką Moskwą jako architektoniczny i literacki znak pamięci

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