Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview

The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, w...

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Autor principal: Leonid A. Maltsev
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Publicado: Immanuel Kant Baltic Federal University 2021
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spelling oai:doaj.org-article:da36a862c94444aab9bea3b647a1acfc2021-11-24T12:29:13ZCzesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview10.5922/2225-5346-2021-4-62225-53462686-8989https://doaj.org/article/da36a862c94444aab9bea3b647a1acfc2021-11-01T00:00:00Zhttps://journals.kantiana.ru/slovo/4958/31230/https://doaj.org/toc/2225-5346https://doaj.org/toc/2686-8989The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, which aroused Milosz's interest throughout his career. In their works, Dostoev­sky and Miłosz explored the theological problem of apoсatastasis and offered their interpreta­tion of it. The paper also examines Miłosz’s contribution as an essayist to the comparative study of Dostoevsky's works (Dostoevsky — Mickiewicz and Dostoevsky — Swedenborg). The ideological basis of “Theological Treatise” is the dialectical relationship between faith and truth, which is associated with Miłosz's appeal to Dostoevsky's ‘creed’ from his famous letter to Fonvisina. Like Dostoevsky, Miłosz criticizes the natural-scientific concept of truth in its depersonalized and, therefore, dehumanized version, which seems to the author of “Theologi­cal Treatise” as an instrument of ‘devilish theology’. In a dialogue with the traditions of Rus­sian religious philosophy, and above all with Dostoevsky’s legacy, Miłosz turns to the Apoca­lypse, in which the most aesthetically significant the idea for him is that of ​​restoring paradisi­acal existence. However, unlike Dostoevsky, the concept of life after death in “Theological Treatise” is not free from pessimism and skepticism. Miłosz is inclined towards the ideological paradigm of the West, and the concept of “Theological Treatise” includes the ideas of Dosto­evsky's unbelieving heroes.Leonid A. MaltsevImmanuel Kant Baltic Federal Universityarticlemiłosztheological treatisedostoevskymickiewiczswedenborgböhmemanichaeismapoсatastasisPhilology. LinguisticsP1-1091ENRUСлово.ру: балтийский акцент , Vol 12, Iss 4, Pp 107-122 (2021)
institution DOAJ
collection DOAJ
language EN
RU
topic miłosz
theological treatise
dostoevsky
mickiewicz
swedenborg
böhme
manichaeism
apoсatastasis
Philology. Linguistics
P1-1091
spellingShingle miłosz
theological treatise
dostoevsky
mickiewicz
swedenborg
böhme
manichaeism
apoсatastasis
Philology. Linguistics
P1-1091
Leonid A. Maltsev
Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
description The article investigates a religious and philosophical dialogue of Miłosz and Dostoevsky. The antinomic content of Miłosz's poem “Theological Treatise” is analyzed in the context of Dostoevsky's Christocentric worldview, as well as religious and heretical teachings of early Christianity, which aroused Milosz's interest throughout his career. In their works, Dostoev­sky and Miłosz explored the theological problem of apoсatastasis and offered their interpreta­tion of it. The paper also examines Miłosz’s contribution as an essayist to the comparative study of Dostoevsky's works (Dostoevsky — Mickiewicz and Dostoevsky — Swedenborg). The ideological basis of “Theological Treatise” is the dialectical relationship between faith and truth, which is associated with Miłosz's appeal to Dostoevsky's ‘creed’ from his famous letter to Fonvisina. Like Dostoevsky, Miłosz criticizes the natural-scientific concept of truth in its depersonalized and, therefore, dehumanized version, which seems to the author of “Theologi­cal Treatise” as an instrument of ‘devilish theology’. In a dialogue with the traditions of Rus­sian religious philosophy, and above all with Dostoevsky’s legacy, Miłosz turns to the Apoca­lypse, in which the most aesthetically significant the idea for him is that of ​​restoring paradisi­acal existence. However, unlike Dostoevsky, the concept of life after death in “Theological Treatise” is not free from pessimism and skepticism. Miłosz is inclined towards the ideological paradigm of the West, and the concept of “Theological Treatise” includes the ideas of Dosto­evsky's unbelieving heroes.
format article
author Leonid A. Maltsev
author_facet Leonid A. Maltsev
author_sort Leonid A. Maltsev
title Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
title_short Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
title_full Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
title_fullStr Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
title_full_unstemmed Czesław Miłosz’s “Theological treatise” in the context of Fyodor Dostoevsky’s religious worldview
title_sort czesław miłosz’s “theological treatise” in the context of fyodor dostoevsky’s religious worldview
publisher Immanuel Kant Baltic Federal University
publishDate 2021
url https://doaj.org/article/da36a862c94444aab9bea3b647a1acfc
work_keys_str_mv AT leonidamaltsev czesławmiłoszstheologicaltreatiseinthecontextoffyodordostoevskysreligiousworldview
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