Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work

This research is focused on visual elements contained in Kusdono's Cirebon glass painting. To examine the meaning of visual elements, the writer uses the aesthetic approach and Erwin Panofsky's iconographic approach through 3 stages: the description of pro-iconography, iconography, and fin...

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Autores principales:	Yayah Rukiah, Sarwanto Sarwanto, Sutarno Sutarno, Sunardi Sunardi
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2020
Materias:	Fine Arts N
Acceso en línea:	https://doaj.org/article/da56443518d54c3e932516dc14a7b217
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spelling	oai:doaj.org-article:da56443518d54c3e932516dc14a7b2172021-11-26T03:24:11ZVisual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work1412-41812685-287X10.33153/dewaruci.v15i2.3161https://doaj.org/article/da56443518d54c3e932516dc14a7b2172020-12-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/3161https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis research is focused on visual elements contained in Kusdono's Cirebon glass painting. To examine the meaning of visual elements, the writer uses the aesthetic approach and Erwin Panofsky's iconographic approach through 3 stages: the description of pro-iconography, iconography, and finally, iconology. The methodology used is a descriptive qualitative research method, with data collection techniques from books and journals related to the research object. The purpose of this study is to examine and uncover the meaning of Cirebon glass paintings. These research results are Semar as the principal figure in the clown who always do good, keep the truth, and obey His teachings closely related to Islam. Arabic calligraphy reinforces Semar's figure. Many use mega cloudy and wadasan ornaments in the Cirebon glass painting, which are Cirebon batik motifs. Also, the colors used are coastal colors due to the City of Cirebon's geographical location close to the beach.Yayah RukiahSarwanto SarwantoSutarno SutarnoSunardi SunardiInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 15, Iss 2, Pp 71-79 (2020)
institution	DOAJ
collection	DOAJ
language	ID
topic	Fine Arts N
spellingShingle	Fine Arts N Yayah Rukiah Sarwanto Sarwanto Sutarno Sutarno Sunardi Sunardi Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
description	This research is focused on visual elements contained in Kusdono's Cirebon glass painting. To examine the meaning of visual elements, the writer uses the aesthetic approach and Erwin Panofsky's iconographic approach through 3 stages: the description of pro-iconography, iconography, and finally, iconology. The methodology used is a descriptive qualitative research method, with data collection techniques from books and journals related to the research object. The purpose of this study is to examine and uncover the meaning of Cirebon glass paintings. These research results are Semar as the principal figure in the clown who always do good, keep the truth, and obey His teachings closely related to Islam. Arabic calligraphy reinforces Semar's figure. Many use mega cloudy and wadasan ornaments in the Cirebon glass painting, which are Cirebon batik motifs. Also, the colors used are coastal colors due to the City of Cirebon's geographical location close to the beach.
format	article
author	Yayah Rukiah Sarwanto Sarwanto Sutarno Sutarno Sunardi Sunardi
author_facet	Yayah Rukiah Sarwanto Sarwanto Sutarno Sutarno Sunardi Sunardi
author_sort	Yayah Rukiah
title	Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
title_short	Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
title_full	Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
title_fullStr	Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
title_full_unstemmed	Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work
title_sort	visual elements of semar calligraphy on cirebon glass painting of kusdono’s work
publisher	Institut Seni Indonesia Surakarta
publishDate	2020
url	https://doaj.org/article/da56443518d54c3e932516dc14a7b217
work_keys_str_mv	AT yayahrukiah visualelementsofsemarcalligraphyoncirebonglasspaintingofkusdonoswork AT sarwantosarwanto visualelementsofsemarcalligraphyoncirebonglasspaintingofkusdonoswork AT sutarnosutarno visualelementsofsemarcalligraphyoncirebonglasspaintingofkusdonoswork AT sunardisunardi visualelementsofsemarcalligraphyoncirebonglasspaintingofkusdonoswork
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Visual Elements of Semar Calligraphy on Cirebon Glass Painting of Kusdono’s Work

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