Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul

The globalisation of the art world, while expanding the horizons of Western actors and observers towards new territories, focuses their attention on restricted times and spaces. The excitement for the vibrant art scene of Istanbul, where, in the last decade, numerous museums, fairs and galleries hav...

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Autores principales:	Ilker Birkan, Jérémie Molho
Formato:	article
Lenguaje:	EN FR
Publicado:	Université de Provence 2017
Materias:	Istanbul art worlds conventions lexicometric analysis cartography History of Africa DT1-3415 Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/daec836632e543478b4d787ebf507145
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id	oai:doaj.org-article:daec836632e543478b4d787ebf507145
record_format	dspace
spelling	oai:doaj.org-article:daec836632e543478b4d787ebf5071452021-12-02T10:06:24ZLe modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul0997-13272105-227110.4000/remmm.10100https://doaj.org/article/daec836632e543478b4d787ebf5071452017-12-01T00:00:00Zhttp://journals.openedition.org/remmm/10100https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271The globalisation of the art world, while expanding the horizons of Western actors and observers towards new territories, focuses their attention on restricted times and spaces. The excitement for the vibrant art scene of Istanbul, where, in the last decade, numerous museums, fairs and galleries have emerged, tends to hide the historicity of artistic practices in Turkey. The few studies that integrate this historical perspective tend to argue that the history of “Turkish art” follows the evolution of global art. Against this universalized vision of art, this article proposes theoretical and methodological tools to better understand how the different ways of making and thinking art have been appropriated within art world organisations. Firstly, we draw on social history of artistic practices and of the art world, in order to identify aesthetical and organisational ruptures. Secondly, we show how lexicometric analysis and cartography enable to identify and situate different conventions within art worlds that coexist in contemporary times.Ilker BirkanJérémie MolhoUniversité de ProvencearticleIstanbulart worldsconventionslexicometric analysiscartographyHistory of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 142, p Vol. 142 (2017)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Istanbul art worlds conventions lexicometric analysis cartography History of Africa DT1-3415 Social sciences (General) H1-99
spellingShingle	Istanbul art worlds conventions lexicometric analysis cartography History of Africa DT1-3415 Social sciences (General) H1-99 Ilker Birkan Jérémie Molho Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
description	The globalisation of the art world, while expanding the horizons of Western actors and observers towards new territories, focuses their attention on restricted times and spaces. The excitement for the vibrant art scene of Istanbul, where, in the last decade, numerous museums, fairs and galleries have emerged, tends to hide the historicity of artistic practices in Turkey. The few studies that integrate this historical perspective tend to argue that the history of “Turkish art” follows the evolution of global art. Against this universalized vision of art, this article proposes theoretical and methodological tools to better understand how the different ways of making and thinking art have been appropriated within art world organisations. Firstly, we draw on social history of artistic practices and of the art world, in order to identify aesthetical and organisational ruptures. Secondly, we show how lexicometric analysis and cartography enable to identify and situate different conventions within art worlds that coexist in contemporary times.
format	article
author	Ilker Birkan Jérémie Molho
author_facet	Ilker Birkan Jérémie Molho
author_sort	Ilker Birkan
title	Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
title_short	Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
title_full	Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
title_fullStr	Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
title_full_unstemmed	Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul
title_sort	le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à istanbul
publisher	Université de Provence
publishDate	2017
url	https://doaj.org/article/daec836632e543478b4d787ebf507145
work_keys_str_mv	AT ilkerbirkan lemodelecentreperipheriealepreuvehistoriciteetancragedelaproductionartistiqueaistanbul AT jeremiemolho lemodelecentreperipheriealepreuvehistoriciteetancragedelaproductionartistiqueaistanbul
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Le modèle centre-périphérie à l’épreuve : historicité et ancrage de la production artistique à Istanbul

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