Introduction. Visual Ethics after Communism
This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what cir...
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National Museum of the Romanian Peasant
2021
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oai:doaj.org-article:dba1fdd77c5c44fbb5a515ebbd76e39d2021-11-22T13:23:07ZIntroduction. Visual Ethics after Communism2734-83501224-6271https://doaj.org/article/dba1fdd77c5c44fbb5a515ebbd76e39d2021-11-01T00:00:00Zhttp://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_01/https://doaj.org/toc/2734-8350https://doaj.org/toc/1224-6271This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what circumstances is it ethically justifiable to exhibit or publish such images or, conversely, to put images aside, leaving them undisplayed? When do arguments based on “the public good” outweigh the right to personal privacy, individual integrity and cultural patrimony of source communities? David CrowleyJames KapaloGabriela NicolescuNational Museum of the Romanian Peasantarticleethical practicevisual legaciesmaterial legaciescommunismpost-communismEthnology. Social and cultural anthropologyGN301-674ENFRMartor, Vol 26, Pp 7-22 (2021) |
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EN FR |
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ethical practice visual legacies material legacies communism post-communism Ethnology. Social and cultural anthropology GN301-674 |
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ethical practice visual legacies material legacies communism post-communism Ethnology. Social and cultural anthropology GN301-674 David Crowley James Kapalo Gabriela Nicolescu Introduction. Visual Ethics after Communism |
description |
This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what circumstances is it ethically justifiable to exhibit or publish such images or, conversely, to put images aside, leaving them undisplayed? When do arguments based on “the public good” outweigh the right to personal privacy, individual integrity and cultural patrimony of source communities? |
format |
article |
author |
David Crowley James Kapalo Gabriela Nicolescu |
author_facet |
David Crowley James Kapalo Gabriela Nicolescu |
author_sort |
David Crowley |
title |
Introduction. Visual Ethics after Communism |
title_short |
Introduction. Visual Ethics after Communism |
title_full |
Introduction. Visual Ethics after Communism |
title_fullStr |
Introduction. Visual Ethics after Communism |
title_full_unstemmed |
Introduction. Visual Ethics after Communism |
title_sort |
introduction. visual ethics after communism |
publisher |
National Museum of the Romanian Peasant |
publishDate |
2021 |
url |
https://doaj.org/article/dba1fdd77c5c44fbb5a515ebbd76e39d |
work_keys_str_mv |
AT davidcrowley introductionvisualethicsaftercommunism AT jameskapalo introductionvisualethicsaftercommunism AT gabrielanicolescu introductionvisualethicsaftercommunism |
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1718417583615508480 |