Introduction. Visual Ethics after Communism

This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what cir...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: David Crowley, James Kapalo, Gabriela Nicolescu
Formato: article
Lenguaje:EN
FR
Publicado: National Museum of the Romanian Peasant 2021
Materias:
Acceso en línea:https://doaj.org/article/dba1fdd77c5c44fbb5a515ebbd76e39d
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:dba1fdd77c5c44fbb5a515ebbd76e39d
record_format dspace
spelling oai:doaj.org-article:dba1fdd77c5c44fbb5a515ebbd76e39d2021-11-22T13:23:07ZIntroduction. Visual Ethics after Communism2734-83501224-6271https://doaj.org/article/dba1fdd77c5c44fbb5a515ebbd76e39d2021-11-01T00:00:00Zhttp://martor.muzeultaranuluiroman.ro/archive/martor-26-2021/2021_01/https://doaj.org/toc/2734-8350https://doaj.org/toc/1224-6271This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what circumstances is it ethically justifiable to exhibit or publish such images or, conversely, to put images aside, leaving them undisplayed? When do arguments based on “the public good” outweigh the right to personal privacy, individual integrity and cultural patrimony of source communities? David CrowleyJames KapaloGabriela NicolescuNational Museum of the Romanian Peasantarticleethical practicevisual legaciesmaterial legaciescommunismpost-communismEthnology. Social and cultural anthropologyGN301-674ENFRMartor, Vol 26, Pp 7-22 (2021)
institution DOAJ
collection DOAJ
language EN
FR
topic ethical practice
visual legacies
material legacies
communism
post-communism
Ethnology. Social and cultural anthropology
GN301-674
spellingShingle ethical practice
visual legacies
material legacies
communism
post-communism
Ethnology. Social and cultural anthropology
GN301-674
David Crowley
James Kapalo
Gabriela Nicolescu
Introduction. Visual Ethics after Communism
description This special issue problematizes the often-uncritical use of images in publications and displays about communism. It poses a number of questions for anthropologists, historians, museologists and others: when does an image or a museum display present itself as problematic and for whom? Under what circumstances is it ethically justifiable to exhibit or publish such images or, conversely, to put images aside, leaving them undisplayed? When do arguments based on “the public good” outweigh the right to personal privacy, individual integrity and cultural patrimony of source communities?
format article
author David Crowley
James Kapalo
Gabriela Nicolescu
author_facet David Crowley
James Kapalo
Gabriela Nicolescu
author_sort David Crowley
title Introduction. Visual Ethics after Communism
title_short Introduction. Visual Ethics after Communism
title_full Introduction. Visual Ethics after Communism
title_fullStr Introduction. Visual Ethics after Communism
title_full_unstemmed Introduction. Visual Ethics after Communism
title_sort introduction. visual ethics after communism
publisher National Museum of the Romanian Peasant
publishDate 2021
url https://doaj.org/article/dba1fdd77c5c44fbb5a515ebbd76e39d
work_keys_str_mv AT davidcrowley introductionvisualethicsaftercommunism
AT jameskapalo introductionvisualethicsaftercommunism
AT gabrielanicolescu introductionvisualethicsaftercommunism
_version_ 1718417583615508480