ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)

Chanting Esmâü’lHüsnâ (names of Allah) which consists of ninety-nine perfects names of the Holy Creator has giant importance in the Islamic religion. For that reason, it was advised to chant, memorialize, number and memorize those names. This article aims to reveal the contribution of Turkish Religi...

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Autores principales: Çetin TÜKENMEZ, Alper AKDENİZ
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Publicado: Fırat University 2019
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Acceso en línea:https://doaj.org/article/dba780bba81e411fa15f3dc6375b2c75
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spelling oai:doaj.org-article:dba780bba81e411fa15f3dc6375b2c752021-11-24T09:20:37ZESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)2148-416310.9761/JASSS7956https://doaj.org/article/dba780bba81e411fa15f3dc6375b2c752019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=212812581_20-%C3%87etin%20T%C3%BCkenmez.pdf&key=29032https://doaj.org/toc/2148-4163Chanting Esmâü’lHüsnâ (names of Allah) which consists of ninety-nine perfects names of the Holy Creator has giant importance in the Islamic religion. For that reason, it was advised to chant, memorialize, number and memorize those names. This article aims to reveal the contribution of Turkish Religious Music to the chanting of Esmâü’lHüsna which consists of the best names and adjectives of Allah and provide contribution to the oral chanting, practicing and memorializing of ninety-nine names of the Holy Creator through definite tempos and melodies. Therefore, the “Esmâü’lHüsnâ” composed by İlhanTok who was a hafiz (person who memorizes Quran) and a composer and attendant of practices and the gathering of invocation was chosen as the sampling piece of work and was attached at the end of the in order to share the attitudes experienced thanks to the tones in the gathering of practice and invocation held by the great masters in the past. He employed Traditional Mosque Music in his works. We regret to say that the number of the musical loving teachers who had great contributions to the sustentation of the custom of practicing music and carry out to the current time through a sequence is gradually decreasing day by day. Thus, a contribution will be provided through this study to both transfer of the tradition of practice to future generations and perform a duty of loyalty to the representatives of this tradition through revealing their works and benefit from the living representatives of the tradition of practicing music. In this study conducted for that purpose, primarily, the meaning of the terms and concepts of Esmâü’lHüsnâ and invocation and significance of chanting Esma’s (the names of Allah) in consideration of Quran and hadith and the place of invocation form of Turkish Religious Music in the relationships between Esma and invocation were also explained. Moreover, the contribution of the work called Esmâü’lHüsnâ to the sustentation of traditional attitude was also explained while defining the traditional attitude in the Mosque Music.Çetin TÜKENMEZAlper AKDENİZFırat Universityarticlei̇lhan tokesmâü’l hüsnâinvocationSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 12, Iss 77, Pp 289-302 (2019)
institution DOAJ
collection DOAJ
language DE
EN
FR
TR
topic i̇lhan tok
esmâü’l hüsnâ
invocation
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle i̇lhan tok
esmâü’l hüsnâ
invocation
Social Sciences
H
Social sciences (General)
H1-99
Çetin TÜKENMEZ
Alper AKDENİZ
ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
description Chanting Esmâü’lHüsnâ (names of Allah) which consists of ninety-nine perfects names of the Holy Creator has giant importance in the Islamic religion. For that reason, it was advised to chant, memorialize, number and memorize those names. This article aims to reveal the contribution of Turkish Religious Music to the chanting of Esmâü’lHüsna which consists of the best names and adjectives of Allah and provide contribution to the oral chanting, practicing and memorializing of ninety-nine names of the Holy Creator through definite tempos and melodies. Therefore, the “Esmâü’lHüsnâ” composed by İlhanTok who was a hafiz (person who memorizes Quran) and a composer and attendant of practices and the gathering of invocation was chosen as the sampling piece of work and was attached at the end of the in order to share the attitudes experienced thanks to the tones in the gathering of practice and invocation held by the great masters in the past. He employed Traditional Mosque Music in his works. We regret to say that the number of the musical loving teachers who had great contributions to the sustentation of the custom of practicing music and carry out to the current time through a sequence is gradually decreasing day by day. Thus, a contribution will be provided through this study to both transfer of the tradition of practice to future generations and perform a duty of loyalty to the representatives of this tradition through revealing their works and benefit from the living representatives of the tradition of practicing music. In this study conducted for that purpose, primarily, the meaning of the terms and concepts of Esmâü’lHüsnâ and invocation and significance of chanting Esma’s (the names of Allah) in consideration of Quran and hadith and the place of invocation form of Turkish Religious Music in the relationships between Esma and invocation were also explained. Moreover, the contribution of the work called Esmâü’lHüsnâ to the sustentation of traditional attitude was also explained while defining the traditional attitude in the Mosque Music.
format article
author Çetin TÜKENMEZ
Alper AKDENİZ
author_facet Çetin TÜKENMEZ
Alper AKDENİZ
author_sort Çetin TÜKENMEZ
title ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
title_short ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
title_full ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
title_fullStr ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
title_full_unstemmed ESMAÜ’L HÜSNA’S (THE NAMES OF ALLAH) COMPOSED IN THE FORM OF TRADITIONAL MOSQUE MUSIC (AN EXAMPLE OF İLHAN TOK’S “ESMAÜ’L HÜSNA COMPOSITION”)
title_sort esmaü’l hüsna’s (the names of allah) composed in the form of traditional mosque music (an example of i̇lhan tok’s “esmaü’l hüsna composition”)
publisher Fırat University
publishDate 2019
url https://doaj.org/article/dba780bba81e411fa15f3dc6375b2c75
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