An introduction to Campion Ohasio
Twenty five years ago in Melbourne I encountered a young cartoonist with a flair and panache that was remarkable. His name is Michael Leunig. At the time I was editor of the Sunday Observer and I felt Michael was destined for an astounding future. His distinctive whimsical and poetic style—Barry Hu...
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Asia Pacific Network
2019
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oai:doaj.org-article:dc6711a54ed34c0e95b140cc726d26b42021-12-02T11:51:18ZAn introduction to Campion Ohasio10.24135/pjr.v3i1.5641023-94992324-2035https://doaj.org/article/dc6711a54ed34c0e95b140cc726d26b42019-08-01T00:00:00Zhttps://ojs.aut.ac.nz/pacific-journalism-review/article/view/564https://doaj.org/toc/1023-9499https://doaj.org/toc/2324-2035 Twenty five years ago in Melbourne I encountered a young cartoonist with a flair and panache that was remarkable. His name is Michael Leunig. At the time I was editor of the Sunday Observer and I felt Michael was destined for an astounding future. His distinctive whimsical and poetic style—Barry Humphries once described it as 'murky, melancholy and marvellous'—eventually took him to the top of Australian cartooning. His socially aware messages and his characteristic flippant duck were a remarkable antidote to the humourless puritans of the era. He once drew me a galivanting duck balancing a teapot on its head as I left Melbourne for greener pastures. David RobieAsia Pacific Networkarticlecartoonistsenvironmental journalismforestrymininghuman rightsCommunication. Mass mediaP87-96Journalism. The periodical press, etc.PN4699-5650ENPacific Journalism Review, Vol 3, Iss 1 (2019) |
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cartoonists environmental journalism forestry mining human rights Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650 |
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cartoonists environmental journalism forestry mining human rights Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650 David Robie An introduction to Campion Ohasio |
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Twenty five years ago in Melbourne I encountered a young cartoonist with a flair and panache that was remarkable. His name is Michael Leunig. At the time I was editor of the Sunday Observer and I felt Michael was destined for an astounding future. His distinctive whimsical and poetic style—Barry Humphries once described it as 'murky, melancholy and marvellous'—eventually took him to the top of Australian cartooning. His socially aware messages and his characteristic flippant duck were a remarkable antidote to the humourless puritans of the era. He once drew me a galivanting duck balancing a teapot on its head as I left Melbourne for greener pastures.
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format |
article |
author |
David Robie |
author_facet |
David Robie |
author_sort |
David Robie |
title |
An introduction to Campion Ohasio |
title_short |
An introduction to Campion Ohasio |
title_full |
An introduction to Campion Ohasio |
title_fullStr |
An introduction to Campion Ohasio |
title_full_unstemmed |
An introduction to Campion Ohasio |
title_sort |
introduction to campion ohasio |
publisher |
Asia Pacific Network |
publishDate |
2019 |
url |
https://doaj.org/article/dc6711a54ed34c0e95b140cc726d26b4 |
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AT davidrobie anintroductiontocampionohasio AT davidrobie introductiontocampionohasio |
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