Edición y política como vocación

Books, magazines and pamphlets were still the privileged weapons for political combat during the Cold War. Until the beginning of the period, parties and intellectual formations planned and implemented publishing projects to disseminate their causes. In the late 1950s, book publishers consolidated t...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Gustavo Sorá
Formato: article
Lenguaje:EN
FR
PT
Publicado: Centre de Recherches sur les Mondes Américains 2020
Materias:
Acceso en línea:https://doaj.org/article/dc9510c2b8dd4bd890dc50a03864862b
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:dc9510c2b8dd4bd890dc50a03864862b
record_format dspace
spelling oai:doaj.org-article:dc9510c2b8dd4bd890dc50a03864862b2021-12-02T10:33:50ZEdición y política como vocación1626-025210.4000/nuevomundo.80411https://doaj.org/article/dc9510c2b8dd4bd890dc50a03864862b2020-06-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/80411https://doaj.org/toc/1626-0252Books, magazines and pamphlets were still the privileged weapons for political combat during the Cold War. Until the beginning of the period, parties and intellectual formations planned and implemented publishing projects to disseminate their causes. In the late 1950s, book publishers consolidated their role as nodal agents in the formatting and distribution of printed ideas, a transformation that particularly affected the relationship between print and politics. Book publishing became an art for professionals. A kind of capital of relatively autonomous markets of symbolic goods was then stabilized and imposed rules for the political book system. Siglo XXI publishing house is a dynamic reference to demonstrate such a process. It is a transnational company specialized in social sciences and politics (oriented towards the left), a purely commercial company that cannot be identified with a precise ideology. In this article I focus on the figure of Arnaldo Orfila Reynal (alma mater of the Mexican and transnational company) to interpret the type of publisher he embodied, the power he mobilized and the mediations by which publishing conditioned the senses on politics.Gustavo SoráCentre de Recherches sur les Mondes AméricainsarticlepublishingpoliticsleftSiglo XXI publishing houseReynal (Arnaldo Orfila)Cultural Cold WarAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2020)
institution DOAJ
collection DOAJ
language EN
FR
PT
topic publishing
politics
left
Siglo XXI publishing house
Reynal (Arnaldo Orfila)
Cultural Cold War
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
spellingShingle publishing
politics
left
Siglo XXI publishing house
Reynal (Arnaldo Orfila)
Cultural Cold War
Anthropology
GN1-890
Latin America. Spanish America
F1201-3799
Gustavo Sorá
Edición y política como vocación
description Books, magazines and pamphlets were still the privileged weapons for political combat during the Cold War. Until the beginning of the period, parties and intellectual formations planned and implemented publishing projects to disseminate their causes. In the late 1950s, book publishers consolidated their role as nodal agents in the formatting and distribution of printed ideas, a transformation that particularly affected the relationship between print and politics. Book publishing became an art for professionals. A kind of capital of relatively autonomous markets of symbolic goods was then stabilized and imposed rules for the political book system. Siglo XXI publishing house is a dynamic reference to demonstrate such a process. It is a transnational company specialized in social sciences and politics (oriented towards the left), a purely commercial company that cannot be identified with a precise ideology. In this article I focus on the figure of Arnaldo Orfila Reynal (alma mater of the Mexican and transnational company) to interpret the type of publisher he embodied, the power he mobilized and the mediations by which publishing conditioned the senses on politics.
format article
author Gustavo Sorá
author_facet Gustavo Sorá
author_sort Gustavo Sorá
title Edición y política como vocación
title_short Edición y política como vocación
title_full Edición y política como vocación
title_fullStr Edición y política como vocación
title_full_unstemmed Edición y política como vocación
title_sort edición y política como vocación
publisher Centre de Recherches sur les Mondes Américains
publishDate 2020
url https://doaj.org/article/dc9510c2b8dd4bd890dc50a03864862b
work_keys_str_mv AT gustavosora edicionypoliticacomovocacion
_version_ 1718397089476509696