Muzyka w relacjach międzykulturowych
Music in Intercultural Relations The author undertakes a very relevant analysis of intercultural relations performed by individuals and groups by means of music. Music constitutes here a specific language, able to communicate and transmit the most complicated and intimate thoughts and emotions of t...
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Ksiegarnia Akademicka Publishing
2017
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oai:doaj.org-article:dcdeee4407c8405baead5f11e6da6eb62021-11-27T12:55:46ZMuzyka w relacjach międzykulturowych10.12797/RM.01.2017.01.102544-21392544-2546https://doaj.org/article/dcdeee4407c8405baead5f11e6da6eb62017-05-01T00:00:00Zhttps://journals.akademicka.pl/relacje/article/view/335https://doaj.org/toc/2544-2139https://doaj.org/toc/2544-2546 Music in Intercultural Relations The author undertakes a very relevant analysis of intercultural relations performed by individuals and groups by means of music. Music constitutes here a specific language, able to communicate and transmit the most complicated and intimate thoughts and emotions of the sender(s). Examples given in the article stem from different cultures and traditions and are discussed on the basis of flamenco, Cape Verdean music, the case of Orchestra di Piazza Vittorio, the concept of lusophony and so called “world music”. The general conclusion leads to a statement about a unique role of music in the intercultural relations. Karolina GolemoKsiegarnia Akademicka Publishingarticlemusicculturecreolnesspostcolonialityworld musicflamencoEthnology. Social and cultural anthropologyGN301-674ENPLRelacje Międzykulturowe, Vol 1, Iss 1(1) (2017) |
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music culture creolness postcoloniality world music flamenco Ethnology. Social and cultural anthropology GN301-674 |
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music culture creolness postcoloniality world music flamenco Ethnology. Social and cultural anthropology GN301-674 Karolina Golemo Muzyka w relacjach międzykulturowych |
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Music in Intercultural Relations
The author undertakes a very relevant analysis of intercultural relations performed by individuals and groups by means of music. Music constitutes here a specific language, able to communicate and transmit the most complicated and intimate thoughts and emotions of the sender(s). Examples given in the article stem from different cultures and traditions and are discussed on the basis of flamenco, Cape Verdean music, the case of Orchestra di Piazza Vittorio, the concept of lusophony and so called “world music”. The general conclusion leads to a statement about a unique role of music in the intercultural relations.
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format |
article |
author |
Karolina Golemo |
author_facet |
Karolina Golemo |
author_sort |
Karolina Golemo |
title |
Muzyka w relacjach międzykulturowych |
title_short |
Muzyka w relacjach międzykulturowych |
title_full |
Muzyka w relacjach międzykulturowych |
title_fullStr |
Muzyka w relacjach międzykulturowych |
title_full_unstemmed |
Muzyka w relacjach międzykulturowych |
title_sort |
muzyka w relacjach międzykulturowych |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2017 |
url |
https://doaj.org/article/dcdeee4407c8405baead5f11e6da6eb6 |
work_keys_str_mv |
AT karolinagolemo muzykawrelacjachmiedzykulturowych |
_version_ |
1718408955623899136 |