Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”

The central work of art by the outstanding Russian thinker of the early 18th century, philosopher, theologian and writer, associate of Peter I is examined in the article. The novelty of the study is that until now, religious discourse has not been subjected to systemic analysis. The relevance of the...

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Autor principal:	N. P. Zhilina
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2021
Materias:	feofan prokopovich tragedy comedy prince vladimir christianity paganism christian anthropology the principle of reverse perspective Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/dd2d946d123441f7bc35df8aee8b15b5
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id	oai:doaj.org-article:dd2d946d123441f7bc35df8aee8b15b5
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spelling	oai:doaj.org-article:dd2d946d123441f7bc35df8aee8b15b52021-12-02T07:58:13ZChristian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”2225-756X2227-129510.24224/2227-1295-2021-2-175-188https://doaj.org/article/dd2d946d123441f7bc35df8aee8b15b52021-03-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2433https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The central work of art by the outstanding Russian thinker of the early 18th century, philosopher, theologian and writer, associate of Peter I is examined in the article. The novelty of the study is that until now, religious discourse has not been subjected to systemic analysis. The relevance of the study is determined by the need to comprehend Christian motives and reminiscences, as well as the Gospel text as part of the play. Various plot situations are brought into consideration, giving the author the opportunity to show that in the comparison of two worldviews the opposite of their axiological systems is revealed. It is established that the opposition “Christianity / paganism”, which forms the basis of the artistic conflict, correlates in the play with the oppositions “life / death”, “truth / falsehood”, “spiritual / material”, “heavenly / earthly”, “salvation / death”. It has been proven that an important place is given to the play of Christian anthropology, as evidenced by the presentation of the biblical story of the expulsion of the first people from paradise, as well as the depiction of a difficult spiritual struggle that the protagonist experiences when deciding on a change of faith. A systematic analysis leads the author to the conclusion that the play uses the compositional principle that was used in the ancient fine arts and received in the works of Fr. Pavel Florensky called “reverse perspective”.N. P. ZhilinaTsentr nauchnykh i obrazovatelnykh proektovarticlefeofan prokopovichtragedy comedyprince vladimirchristianitypaganismchristian anthropologythe principle of reverse perspectiveSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 2, Pp 175-188 (2021)
institution	DOAJ
collection	DOAJ
language	RU
topic	feofan prokopovich tragedy comedy prince vladimir christianity paganism christian anthropology the principle of reverse perspective Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	feofan prokopovich tragedy comedy prince vladimir christianity paganism christian anthropology the principle of reverse perspective Slavic languages. Baltic languages. Albanian languages PG1-9665 N. P. Zhilina Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
description	The central work of art by the outstanding Russian thinker of the early 18th century, philosopher, theologian and writer, associate of Peter I is examined in the article. The novelty of the study is that until now, religious discourse has not been subjected to systemic analysis. The relevance of the study is determined by the need to comprehend Christian motives and reminiscences, as well as the Gospel text as part of the play. Various plot situations are brought into consideration, giving the author the opportunity to show that in the comparison of two worldviews the opposite of their axiological systems is revealed. It is established that the opposition “Christianity / paganism”, which forms the basis of the artistic conflict, correlates in the play with the oppositions “life / death”, “truth / falsehood”, “spiritual / material”, “heavenly / earthly”, “salvation / death”. It has been proven that an important place is given to the play of Christian anthropology, as evidenced by the presentation of the biblical story of the expulsion of the first people from paradise, as well as the depiction of a difficult spiritual struggle that the protagonist experiences when deciding on a change of faith. A systematic analysis leads the author to the conclusion that the play uses the compositional principle that was used in the ancient fine arts and received in the works of Fr. Pavel Florensky called “reverse perspective”.
format	article
author	N. P. Zhilina
author_facet	N. P. Zhilina
author_sort	N. P. Zhilina
title	Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
title_short	Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
title_full	Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
title_fullStr	Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
title_full_unstemmed	Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”
title_sort	christian discourse in the tragedy comedy by feofan prokopovich “vladimir”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2021
url	https://doaj.org/article/dd2d946d123441f7bc35df8aee8b15b5
work_keys_str_mv	AT npzhilina christiandiscourseinthetragedycomedybyfeofanprokopovichvladimir
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Christian Discourse in the Tragedy Comedy by Feofan Prokopovich “Vladimir”

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