Le phénomène « Lambada » : globalisation et identité
The paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to th...
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Centre de Recherches sur les Mondes Américains
2006
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oai:doaj.org-article:dd535fcfb086424b9d1aa0fcbaaabe722021-12-02T10:29:48ZLe phénomène « Lambada » : globalisation et identité1626-025210.4000/nuevomundo.2181https://doaj.org/article/dd535fcfb086424b9d1aa0fcbaaabe722006-04-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/2181https://doaj.org/toc/1626-0252The paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to the claim of the minorities and to the development of a serial music industry. We will analyze the genre lambada from its Brazilian origins to its global commercial success, by evocating the marginality of some handcrafted productions as well as its integration into the genesis of a new global Latin-American imaginary. May “Lambada” be, besides the musical success, a messianic symbol of the end of the Cold War and the millenary?Leonardo GarcíaCentre de Recherches sur les Mondes AméricainsarticleBrazildanceethnicglobalizationidentityimaginaryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2006) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
EN FR PT |
| topic |
Brazil dance ethnic globalization identity imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
| spellingShingle |
Brazil dance ethnic globalization identity imaginary Anthropology GN1-890 Latin America. Spanish America F1201-3799 Leonardo García Le phénomène « Lambada » : globalisation et identité |
| description |
The paper analyses the “Lambada” musical hit inside the globalization context of the end of the 20th century, by treating its expansion through the socio-political changes and the post-modernism of the nineties. In fact, besides being a commercial “summer hit”, “Lambada” can also be associated to the claim of the minorities and to the development of a serial music industry. We will analyze the genre lambada from its Brazilian origins to its global commercial success, by evocating the marginality of some handcrafted productions as well as its integration into the genesis of a new global Latin-American imaginary. May “Lambada” be, besides the musical success, a messianic symbol of the end of the Cold War and the millenary? |
| format |
article |
| author |
Leonardo García |
| author_facet |
Leonardo García |
| author_sort |
Leonardo García |
| title |
Le phénomène « Lambada » : globalisation et identité |
| title_short |
Le phénomène « Lambada » : globalisation et identité |
| title_full |
Le phénomène « Lambada » : globalisation et identité |
| title_fullStr |
Le phénomène « Lambada » : globalisation et identité |
| title_full_unstemmed |
Le phénomène « Lambada » : globalisation et identité |
| title_sort |
le phénomène « lambada » : globalisation et identité |
| publisher |
Centre de Recherches sur les Mondes Américains |
| publishDate |
2006 |
| url |
https://doaj.org/article/dd535fcfb086424b9d1aa0fcbaaabe72 |
| work_keys_str_mv |
AT leonardogarcia lephenomenelambadaglobalisationetidentite |
| _version_ |
1718397208155389952 |