Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?

Since the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nin...

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Autor principal:	Pierre-Yves Le Pogam
Formato:	article
Lenguaje:	FR
Publicado:	École du Louvre 2021
Materias:	historiography primitivism Christian archaeology nationalism Franco-German conflicts Alois Riegl Fine Arts N Anthropology GN1-890 Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/dd653a8ceaa148be8a7c71470beaecdb
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id	oai:doaj.org-article:dd653a8ceaa148be8a7c71470beaecdb
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spelling	oai:doaj.org-article:dd653a8ceaa148be8a7c71470beaecdb2021-12-02T11:31:37ZComment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?2262-208X10.4000/cel.19157https://doaj.org/article/dd653a8ceaa148be8a7c71470beaecdb2021-11-01T00:00:00Zhttp://journals.openedition.org/cel/19157https://doaj.org/toc/2262-208XSince the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nineteenth century and well into the twentieth, with all the nationalistic and sectarian pitfalls that it could entail. Then the works benefited from a re-evaluation of their aesthetics, largely due to the influence of the artistic revolutions of the 1900s. In the second half of the twentieth century, the epistemological framework was overturned by the contribution of archaeological and archaeometric methods. However, our field of study requires a new approach, especially in the form of complete corpuses linked to architecture.Pierre-Yves Le PogamÉcole du LouvrearticlehistoriographyprimitivismChristian archaeologynationalismFranco-German conflictsAlois RieglFine ArtsNAnthropologyGN1-890ArchaeologyCC1-960FRLes Cahiers de l'École du Louvre, Vol 17 (2021)
institution	DOAJ
collection	DOAJ
language	FR
topic	historiography primitivism Christian archaeology nationalism Franco-German conflicts Alois Riegl Fine Arts N Anthropology GN1-890 Archaeology CC1-960
spellingShingle	historiography primitivism Christian archaeology nationalism Franco-German conflicts Alois Riegl Fine Arts N Anthropology GN1-890 Archaeology CC1-960 Pierre-Yves Le Pogam Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
description	Since the sculptures of Late Antiquity and the Early Middle Ages were discovered during the modern period, they have given rise to contradictory judgements. Considered crude, they were also looked upon with pride, as witnesses to the antiquity of a territory. This view was pursued throughout the nineteenth century and well into the twentieth, with all the nationalistic and sectarian pitfalls that it could entail. Then the works benefited from a re-evaluation of their aesthetics, largely due to the influence of the artistic revolutions of the 1900s. In the second half of the twentieth century, the epistemological framework was overturned by the contribution of archaeological and archaeometric methods. However, our field of study requires a new approach, especially in the form of complete corpuses linked to architecture.
format	article
author	Pierre-Yves Le Pogam
author_facet	Pierre-Yves Le Pogam
author_sort	Pierre-Yves Le Pogam
title	Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
title_short	Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
title_full	Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
title_fullStr	Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
title_full_unstemmed	Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?
title_sort	comment a-t-on apprécié et compris la sculpture de l’antiquité tardive et du haut moyen âge auxxixe-xxe siècles ?
publisher	École du Louvre
publishDate	2021
url	https://doaj.org/article/dd653a8ceaa148be8a7c71470beaecdb
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Comment a-t-on apprécié et compris la sculpture de l’Antiquité tardive et du haut Moyen Âge auxXIXe-XXe siècles ?

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