From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape

Among the paintings of netherlandish origin imported into Catalonia during the first half of the 16th century, preserved at the Monastery of Pedralbes, there is a small panel featuring the Madonna and Child in a landscape which is attributed here to Patinir’s workshop, not excluding the possibility...

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Autor principal:	Rafael Cornudella
Formato:	article
Lenguaje:	CA EN ES FR IT PT
Publicado:	Universitat Autonoma de Barcelona. Departament d'Art i Musica 2018
Materias:	Joachim Patinir 16th Century Netherlandish Painting landscape painting The Virgin suckling the Child The Rest during the Flight into Egypt Monastery of Santa Maria de Pedralbes History of the arts NX440-632
Acceso en línea:	https://doaj.org/article/dda50b2130d440bba9f32cdc9684e9dc
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id	oai:doaj.org-article:dda50b2130d440bba9f32cdc9684e9dc
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spelling	oai:doaj.org-article:dda50b2130d440bba9f32cdc9684e9dc2021-11-26T10:43:36ZFrom Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape10.5565/rev/locus.3231135-97222014-8798https://doaj.org/article/dda50b2130d440bba9f32cdc9684e9dc2018-12-01T00:00:00Zhttps://revistes.uab.cat/locus/article/view/323https://doaj.org/toc/1135-9722https://doaj.org/toc/2014-8798Among the paintings of netherlandish origin imported into Catalonia during the first half of the 16th century, preserved at the Monastery of Pedralbes, there is a small panel featuring the Madonna and Child in a landscape which is attributed here to Patinir’s workshop, not excluding the possibility of some autograph intervention by the master. Whatever the case, this article sets out to situate the piece both in the context of its production and in that of its reception, that is, the community of nuns of Saint Claire of Pedralbes. What is interesting about this apparently modest work is the fact that it combines a set of ingredients typical of Patinir in a composition that is otherwise atypical as regards his known output as a whole, above all in terms of the relationship between the figure and the landscape, although also of its presumed iconographic simplicity. The final section of the article examines the piece in relation to the ever-controversial issue –which still remains to be definitively resolved– of the authorship of the figures in the works of Patinir.Rafael CornudellaUniversitat Autonoma de Barcelona. Departament d'Art i MusicaarticleJoachim Patinir16th Century Netherlandish Paintinglandscape paintingThe Virgin suckling the ChildThe Rest during the Flight into EgyptMonastery of Santa Maria de PedralbesHistory of the artsNX440-632CAENESFRITPTLocvs Amoenvs, Vol 16 (2018)
institution	DOAJ
collection	DOAJ
language	CA EN ES FR IT PT
topic	Joachim Patinir 16th Century Netherlandish Painting landscape painting The Virgin suckling the Child The Rest during the Flight into Egypt Monastery of Santa Maria de Pedralbes History of the arts NX440-632
spellingShingle	Joachim Patinir 16th Century Netherlandish Painting landscape painting The Virgin suckling the Child The Rest during the Flight into Egypt Monastery of Santa Maria de Pedralbes History of the arts NX440-632 Rafael Cornudella From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
description	Among the paintings of netherlandish origin imported into Catalonia during the first half of the 16th century, preserved at the Monastery of Pedralbes, there is a small panel featuring the Madonna and Child in a landscape which is attributed here to Patinir’s workshop, not excluding the possibility of some autograph intervention by the master. Whatever the case, this article sets out to situate the piece both in the context of its production and in that of its reception, that is, the community of nuns of Saint Claire of Pedralbes. What is interesting about this apparently modest work is the fact that it combines a set of ingredients typical of Patinir in a composition that is otherwise atypical as regards his known output as a whole, above all in terms of the relationship between the figure and the landscape, although also of its presumed iconographic simplicity. The final section of the article examines the piece in relation to the ever-controversial issue –which still remains to be definitively resolved– of the authorship of the figures in the works of Patinir.
format	article
author	Rafael Cornudella
author_facet	Rafael Cornudella
author_sort	Rafael Cornudella
title	From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
title_short	From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
title_full	From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
title_fullStr	From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
title_full_unstemmed	From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape
title_sort	from patinir’s workshop to the monastery of pedralbes. a virgin and child in a landscape
publisher	Universitat Autonoma de Barcelona. Departament d'Art i Musica
publishDate	2018
url	https://doaj.org/article/dda50b2130d440bba9f32cdc9684e9dc
work_keys_str_mv	AT rafaelcornudella frompatinirsworkshoptothemonasteryofpedralbesavirginandchildinalandscape
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From Patinir’s Workshop to the Monastery of Pedralbes. A Virgin and Child in a Landscape

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