Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro

The objective of this study is to analyze the relationship between nature and culture in the Unesco World Heritage List based on the Rio de Janeiro application to the cultural landscape category. The city application had become an excellent laboratory for many reflections on the relationships betwee...

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Autor principal:	Rafael Winter Ribeiro
Formato:	article
Lenguaje:	FR
Publicado:	Éditions en environnement VertigO 2013
Materias:	natural and cultural heritage cultural landscape world heritage Unesco Rio de Janeiro Brasil Environmental sciences GE1-350
Acceso en línea:	https://doaj.org/article/ddb8d95c853c4947a673c6ccbff21adc
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spelling	oai:doaj.org-article:ddb8d95c853c4947a673c6ccbff21adc2021-12-02T09:59:45ZNature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro1492-844210.4000/vertigo.13719https://doaj.org/article/ddb8d95c853c4947a673c6ccbff21adc2013-05-01T00:00:00Zhttp://journals.openedition.org/vertigo/13719https://doaj.org/toc/1492-8442The objective of this study is to analyze the relationship between nature and culture in the Unesco World Heritage List based on the Rio de Janeiro application to the cultural landscape category. The city application had become an excellent laboratory for many reflections on the relationships between nature, culture, heritage and the images produced in this process. Rio’s bid also allows thinking over how appropriate is the Unesco Cultural Landscape category, identified as being associated with a strong presence of so-called natural elements, even if they had been worked by man. We observe the inclusion of urban landscapes in this category as a great embarrassment, since they are, according most branches of geography, the best definitions of cultural landscape, which is understood as the landscape changed by men. Two main traditions can be labeled in accordance with how the category of Cultural Landscape is used in the designated sites : one is strongly associated with landscape design, and another is similar to the Vidal de la Blache’s concept, in which the relationship between man and his environment is emphasized, and runs especially by facilitating the registration of sites associated to traditional lifestyles. The image of Rio de Janeiro that emerges from the application to adapt to this model is that of a city linked to the modern movement, in which the great works on coastal landscapes and the mountains reforestation had a fundamental importance.Rafael Winter RibeiroÉditions en environnement VertigOarticlenatural and cultural heritagecultural landscapeworld heritageUnescoRio de JaneiroBrasilEnvironmental sciencesGE1-350FRVertigO, Vol 16 (2013)
institution	DOAJ
collection	DOAJ
language	FR
topic	natural and cultural heritage cultural landscape world heritage Unesco Rio de Janeiro Brasil Environmental sciences GE1-350
spellingShingle	natural and cultural heritage cultural landscape world heritage Unesco Rio de Janeiro Brasil Environmental sciences GE1-350 Rafael Winter Ribeiro Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
description	The objective of this study is to analyze the relationship between nature and culture in the Unesco World Heritage List based on the Rio de Janeiro application to the cultural landscape category. The city application had become an excellent laboratory for many reflections on the relationships between nature, culture, heritage and the images produced in this process. Rio’s bid also allows thinking over how appropriate is the Unesco Cultural Landscape category, identified as being associated with a strong presence of so-called natural elements, even if they had been worked by man. We observe the inclusion of urban landscapes in this category as a great embarrassment, since they are, according most branches of geography, the best definitions of cultural landscape, which is understood as the landscape changed by men. Two main traditions can be labeled in accordance with how the category of Cultural Landscape is used in the designated sites : one is strongly associated with landscape design, and another is similar to the Vidal de la Blache’s concept, in which the relationship between man and his environment is emphasized, and runs especially by facilitating the registration of sites associated to traditional lifestyles. The image of Rio de Janeiro that emerges from the application to adapt to this model is that of a city linked to the modern movement, in which the great works on coastal landscapes and the mountains reforestation had a fundamental importance.
format	article
author	Rafael Winter Ribeiro
author_facet	Rafael Winter Ribeiro
author_sort	Rafael Winter Ribeiro
title	Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
title_short	Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
title_full	Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
title_fullStr	Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
title_full_unstemmed	Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro
title_sort	nature et culture dans la liste du patrimoine mondial : l’expérience de rio de janeiro
publisher	Éditions en environnement VertigO
publishDate	2013
url	https://doaj.org/article/ddb8d95c853c4947a673c6ccbff21adc
work_keys_str_mv	AT rafaelwinterribeiro natureetculturedanslalistedupatrimoinemondiallexperiencederiodejaneiro
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Nature et culture dans la liste du patrimoine mondial : l’expérience de Rio de Janeiro

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