América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani

The article proposes to reconstruct the experience of the Workshops of basic plastic militancy carried out by the Argentinean artist Ricardo Carpani, from the agreements and initiatives defined in the meetings of Latin American plastic artists developed in Chile and Cuba between 1972 and 1973, the a...

Descripción completa

Guardado en:

Detalles Bibliográficos
Autor principal:	Ignacio Soneira
Formato:	article
Lenguaje:	EN FR PT
Publicado:	Centre de Recherches sur les Mondes Américains 2019
Materias:	arts politics Carpani Militancy Latin America Anthropology GN1-890 Latin America. Spanish America F1201-3799
Acceso en línea:	https://doaj.org/article/dde36b81c87b42a9abba03d3919a8a55
Etiquetas:	Agregar Etiqueta Sin Etiquetas, Sea el primero en etiquetar este registro!

id	oai:doaj.org-article:dde36b81c87b42a9abba03d3919a8a55
record_format	dspace
spelling	oai:doaj.org-article:dde36b81c87b42a9abba03d3919a8a552021-12-02T10:35:04ZAmérica latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani1626-025210.4000/nuevomundo.75363https://doaj.org/article/dde36b81c87b42a9abba03d3919a8a552019-02-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/75363https://doaj.org/toc/1626-0252The article proposes to reconstruct the experience of the Workshops of basic plastic militancy carried out by the Argentinean artist Ricardo Carpani, from the agreements and initiatives defined in the meetings of Latin American plastic artists developed in Chile and Cuba between 1972 and 1973, the aesthetic reflection-previous of the artist himself and a local context, marked by the discussion around the limits and scope of art in a revolutionary context. In this way, the present work intends to explain initially the configuration of a tension that is expressed between the topic of "the death of art", thought since the dissolution of the artist – replaced then by a political militant –, and the popular creation, such and how it appears in Argentina since the late sixties. In a second place, analyze how the meetings of plastic artists held in Chile and Cuba, result in a radicalization of the militant attitude of the politicized artist, in which the people as an abstract and homogeneous entity, takes center stage. Attending to this unique experience carried out by Carpani, allows to crystallize a historical moment of the Argentine and Latin American artistic field, in which the political option stresses the traditional concepts of art, artist and creation to its limits.Ignacio SoneiraCentre de Recherches sur les Mondes AméricainsarticleartspoliticsCarpaniMilitancyLatin AmericaAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2019)
institution	DOAJ
collection	DOAJ
language	EN FR PT
topic	arts politics Carpani Militancy Latin America Anthropology GN1-890 Latin America. Spanish America F1201-3799
spellingShingle	arts politics Carpani Militancy Latin America Anthropology GN1-890 Latin America. Spanish America F1201-3799 Ignacio Soneira América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
description	The article proposes to reconstruct the experience of the Workshops of basic plastic militancy carried out by the Argentinean artist Ricardo Carpani, from the agreements and initiatives defined in the meetings of Latin American plastic artists developed in Chile and Cuba between 1972 and 1973, the aesthetic reflection-previous of the artist himself and a local context, marked by the discussion around the limits and scope of art in a revolutionary context. In this way, the present work intends to explain initially the configuration of a tension that is expressed between the topic of "the death of art", thought since the dissolution of the artist – replaced then by a political militant –, and the popular creation, such and how it appears in Argentina since the late sixties. In a second place, analyze how the meetings of plastic artists held in Chile and Cuba, result in a radicalization of the militant attitude of the politicized artist, in which the people as an abstract and homogeneous entity, takes center stage. Attending to this unique experience carried out by Carpani, allows to crystallize a historical moment of the Argentine and Latin American artistic field, in which the political option stresses the traditional concepts of art, artist and creation to its limits.
format	article
author	Ignacio Soneira
author_facet	Ignacio Soneira
author_sort	Ignacio Soneira
title	América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
title_short	América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
title_full	América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
title_fullStr	América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
title_full_unstemmed	América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani
title_sort	américa latina entre la disolución del arte y la mitificación del pueblo. los talleres de militancia plástica de base de ricardo carpani
publisher	Centre de Recherches sur les Mondes Américains
publishDate	2019
url	https://doaj.org/article/dde36b81c87b42a9abba03d3919a8a55
work_keys_str_mv	AT ignaciosoneira americalatinaentreladisoluciondelarteylamitificaciondelpueblolostalleresdemilitanciaplasticadebasedericardocarpani
_version_	1718397032311291904

América latina entre la disolución del arte y la mitificación del pueblo. Los Talleres de militancia plástica de base de Ricardo Carpani

Ejemplares similares