‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.

The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen cu...

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Autor principal:	David Forrest
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2009
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/de61ad8d50274c9b902d346ac6cef703
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spelling	oai:doaj.org-article:de61ad8d50274c9b902d346ac6cef7032021-11-23T09:46:00Z‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.1749-9771https://doaj.org/article/de61ad8d50274c9b902d346ac6cef7032009-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/626https://doaj.org/toc/1749-9771The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen culture refreshed, suffering as it did from the same level of under-representation that blighted literature. In a wider context, the films’ freshness and vigour can also be seen to be identified in a new approach to film style and aesthetics which had more in common with the European art cinema than the staid traditions of British filmmaking.David ForrestUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 09 (2009)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P David Forrest ‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
description	The British New Wave in cinema, which ran from 1958 to 1962, was built around the adaptation of a number of literary texts that derived their ‘newness’ by vocalising working-class protagonists, hitherto largely suppressed in popular visions of British society. As a knock-on-effect, British screen culture refreshed, suffering as it did from the same level of under-representation that blighted literature. In a wider context, the films’ freshness and vigour can also be seen to be identified in a new approach to film style and aesthetics which had more in common with the European art cinema than the staid traditions of British filmmaking.
format	article
author	David Forrest
author_facet	David Forrest
author_sort	David Forrest
title	‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
title_short	‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
title_full	‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
title_fullStr	‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
title_full_unstemmed	‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.
title_sort	‘whatever people say i am…’: multiple voices on screen and page in saturday night and sunday morning.
publisher	University of Edinburgh
publishDate	2009
url	https://doaj.org/article/de61ad8d50274c9b902d346ac6cef703
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‘Whatever people say I am…’: Multiple voices on screen and page in Saturday Night and Sunday Morning.

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