« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)

Many historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representa...

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Autor principal:	Alice Leroy
Formato:	article
Lenguaje:	EN FR
Publicado:	Centre de Recherche "Texte et Critique de Texte" 2021
Materias:	Henrietta Maria Charles I cultural studies visual studies early modern period monarchy American literature PS1-3576 English literature PR1-9680
Acceso en línea:	https://doaj.org/article/df41bafc7bc744ab8690920516150a6a
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id	oai:doaj.org-article:df41bafc7bc744ab8690920516150a6a
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spelling	oai:doaj.org-article:df41bafc7bc744ab8690920516150a6a2021-12-02T11:27:55Z« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)1272-38191969-630210.4000/sillagescritiques.11369https://doaj.org/article/df41bafc7bc744ab8690920516150a6a2021-10-01T00:00:00Zhttp://journals.openedition.org/sillagescritiques/11369https://doaj.org/toc/1272-3819https://doaj.org/toc/1969-6302Many historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representations of Henrietta Maria, the French Catholic princess he married, and the influence they held over the king’s own image. While her very presence reinforced the trope of Charles I as husband to the nation and father to his people, she also became a source of anxiety at a period when popery and the very institution of the monarchy came under violent attack from a part of the English people.Alice LeroyCentre de Recherche "Texte et Critique de Texte"articleHenrietta MariaCharles Icultural studiesvisual studiesearly modern periodmonarchyAmerican literaturePS1-3576English literaturePR1-9680ENFRSillages Critiques, Vol 30 (2021)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Henrietta Maria Charles I cultural studies visual studies early modern period monarchy American literature PS1-3576 English literature PR1-9680
spellingShingle	Henrietta Maria Charles I cultural studies visual studies early modern period monarchy American literature PS1-3576 English literature PR1-9680 Alice Leroy « The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
description	Many historians have focused on Charles I, his reign but his representations. Their impact within the context of his personal rule and of the Civil Wars, leading up to the Regicide, has been the object of many studies, yet what can be said of the image of his wife? This paper examines the representations of Henrietta Maria, the French Catholic princess he married, and the influence they held over the king’s own image. While her very presence reinforced the trope of Charles I as husband to the nation and father to his people, she also became a source of anxiety at a period when popery and the very institution of the monarchy came under violent attack from a part of the English people.
format	article
author	Alice Leroy
author_facet	Alice Leroy
author_sort	Alice Leroy
title	« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_short	« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_full	« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_fullStr	« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_full_unstemmed	« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)
title_sort	« the fault is that she is my wife » : l’ambivalence des représentations d’henriette-marie (1625-1649)
publisher	Centre de Recherche "Texte et Critique de Texte"
publishDate	2021
url	https://doaj.org/article/df41bafc7bc744ab8690920516150a6a
work_keys_str_mv	AT aliceleroy thefaultisthatsheismywifelambivalencedesrepresentationsdhenriettemarie16251649
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« The Fault is that she is my wife » : L’ambivalence des représentations d’Henriette-Marie (1625-1649)

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