Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements

Historically known to be savoured by the selected few, luxury products are famous for not only their immaculate designs and artistry, but also how they make their possessors feel once they are put on and the messages they convey to others who see them. Luxury is not defined by what the product is, b...

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Autor principal: Yonca İrmak Peltekoğlu
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Publicado: Erciyes University 2019
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spelling oai:doaj.org-article:df5f75e62e404b4bbf294011b244f56a2021-12-02T12:19:11ZTiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements1308-31982667-581110.17680/erciyesiletisim.482425https://doaj.org/article/df5f75e62e404b4bbf294011b244f56a2019-01-01T00:00:00Zhttps://dergipark.org.tr/tr/pub/erciyesiletisim/issue/42719/482425https://doaj.org/toc/1308-3198https://doaj.org/toc/2667-5811Historically known to be savoured by the selected few, luxury products are famous for not only their immaculate designs and artistry, but also how they make their possessors feel once they are put on and the messages they convey to others who see them. Luxury is not defined by what the product is, but rather what kind of an experience the product offers and what meaning the brand symbolises. Hence, these pieces of fine jewellery have ceased to be a way to accessorise outfits, they have become status and wealth symbols in their own right. Therefore, luxury products also provide satisfaction in the sense that their users feel good and accomplished for having access to these items. Being able to be a member of the elite group of consumers who are able to afford such extravagances; the people who have added, and continue to add, such jewellery pieces to their collection do so not only because they can, but because doing so elevates their status, rendering it unnecessary for such iconic jewellery houses as Tiffany & Co., Cartier and Bulgari to have to rely on overt communication techniques in their print ads to capture the attention of their consumers. In this light, this article will focus on print advertisements by Tiffany & Co., Cartier and Bulgari for their iconic jewellery pieces with regard to the techniques used such as symbolism, intertextuality, and polysemy, and include a short analysis for each advertisement by the author.Yonca İrmak PeltekoğluErciyes Universityarticleluxurytiffany & co.cartierbulgarijewelleryadvertisementsymbolismi̇ntertextualitypolysemycovert communicationsostensive communicationstiffany & co.cartierbulgarilüksmücevhertakıreklamsembolizmmetinlerarasılıkçokanlamlılıkörtülü reklamaçık i̇letişim teknikleriCommunication. Mass mediaP87-96ENTRErciyes iletişim Dergisi, Vol 6, Iss 1, Pp 573-586 (2019)
institution DOAJ
collection DOAJ
language EN
TR
topic luxury
tiffany & co.
cartier
bulgari
jewellery
advertisement
symbolism
i̇ntertextuality
polysemy
covert communications
ostensive communications
tiffany & co.
cartier
bulgari
lüks
mücevher
takı
reklam
sembolizm
metinlerarasılık
çokanlamlılık
örtülü reklam
açık i̇letişim teknikleri
Communication. Mass media
P87-96
spellingShingle luxury
tiffany & co.
cartier
bulgari
jewellery
advertisement
symbolism
i̇ntertextuality
polysemy
covert communications
ostensive communications
tiffany & co.
cartier
bulgari
lüks
mücevher
takı
reklam
sembolizm
metinlerarasılık
çokanlamlılık
örtülü reklam
açık i̇letişim teknikleri
Communication. Mass media
P87-96
Yonca İrmak Peltekoğlu
Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
description Historically known to be savoured by the selected few, luxury products are famous for not only their immaculate designs and artistry, but also how they make their possessors feel once they are put on and the messages they convey to others who see them. Luxury is not defined by what the product is, but rather what kind of an experience the product offers and what meaning the brand symbolises. Hence, these pieces of fine jewellery have ceased to be a way to accessorise outfits, they have become status and wealth symbols in their own right. Therefore, luxury products also provide satisfaction in the sense that their users feel good and accomplished for having access to these items. Being able to be a member of the elite group of consumers who are able to afford such extravagances; the people who have added, and continue to add, such jewellery pieces to their collection do so not only because they can, but because doing so elevates their status, rendering it unnecessary for such iconic jewellery houses as Tiffany & Co., Cartier and Bulgari to have to rely on overt communication techniques in their print ads to capture the attention of their consumers. In this light, this article will focus on print advertisements by Tiffany & Co., Cartier and Bulgari for their iconic jewellery pieces with regard to the techniques used such as symbolism, intertextuality, and polysemy, and include a short analysis for each advertisement by the author.
format article
author Yonca İrmak Peltekoğlu
author_facet Yonca İrmak Peltekoğlu
author_sort Yonca İrmak Peltekoğlu
title Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
title_short Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
title_full Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
title_fullStr Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
title_full_unstemmed Tiffany & Co., Cartier and Bulgari— An Analysis of Print Luxury Jewellery Advertisements
title_sort tiffany & co., cartier and bulgari— an analysis of print luxury jewellery advertisements
publisher Erciyes University
publishDate 2019
url https://doaj.org/article/df5f75e62e404b4bbf294011b244f56a
work_keys_str_mv AT yoncairmakpeltekoglu tiffanycocartierandbulgariananalysisofprintluxuryjewelleryadvertisements
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