In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives

Videogames, whether immersive simulations or abstract puzzlers, impose their own set of internal logics upon the player. If the player decides to transgress or subvert the rules or normal behaviour without directly affecting the software system itself through modification or hacking, these same inte...

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Main Author:	Corrado Morgana
Format:	article
Language:	EN
Published:	University of Edinburgh 2008
Subjects:	Fine Arts N Language and Literature P
Online Access:	https://doaj.org/article/e016fcdb6a014be09ebaf532f26a0085
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spelling	oai:doaj.org-article:e016fcdb6a014be09ebaf532f26a00852021-11-23T09:46:01ZIn Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives1749-9771https://doaj.org/article/e016fcdb6a014be09ebaf532f26a00852008-08-01T00:00:00Zhttp://www.forumjournal.org/article/view/601https://doaj.org/toc/1749-9771Videogames, whether immersive simulations or abstract puzzlers, impose their own set of internal logics upon the player. If the player decides to transgress or subvert the rules or normal behaviour without directly affecting the software system itself through modification or hacking, these same internal logics still affect the player or ‘subvertors’ behaviour; the videogame has its own set of affordances, the properties that an artefact or system has that influence interaction.Corrado MorganaUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum (2008)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Corrado Morgana In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
description	Videogames, whether immersive simulations or abstract puzzlers, impose their own set of internal logics upon the player. If the player decides to transgress or subvert the rules or normal behaviour without directly affecting the software system itself through modification or hacking, these same internal logics still affect the player or ‘subvertors’ behaviour; the videogame has its own set of affordances, the properties that an artefact or system has that influence interaction.
format	article
author	Corrado Morgana
author_facet	Corrado Morgana
author_sort	Corrado Morgana
title	In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
title_short	In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
title_full	In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
title_fullStr	In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
title_full_unstemmed	In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives
title_sort	in arcadia: landscape filming in a toxic wasteland game engine affordances and post-game narratives
publisher	University of Edinburgh
publishDate	2008
url	https://doaj.org/article/e016fcdb6a014be09ebaf532f26a0085
work_keys_str_mv	AT corradomorgana inarcadialandscapefilminginatoxicwastelandgameengineaffordancesandpostgamenarratives
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In Arcadia: Landscape filming in a toxic wasteland Game engine affordances and post-game narratives

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