Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI
This paper focuses on a comparative analysis of contemporary urban space semiosis in both La Quinta de los Molinos (2000) written by the Cuban writer Nancy Morejón, and Solos y solas (2005) by the Argentinean poet Tamara Kamenszain. Taking as departure point the concept of “semiosphere” created by I...
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Centre de Recherches sur les Mondes Américains
2009
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oai:doaj.org-article:e0b5dbcc0e464f58aafaf01dcc62153e2021-12-02T10:29:06ZDiscurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI1626-025210.4000/nuevomundo.57751https://doaj.org/article/e0b5dbcc0e464f58aafaf01dcc62153e2009-11-01T00:00:00Zhttp://journals.openedition.org/nuevomundo/57751https://doaj.org/toc/1626-0252This paper focuses on a comparative analysis of contemporary urban space semiosis in both La Quinta de los Molinos (2000) written by the Cuban writer Nancy Morejón, and Solos y solas (2005) by the Argentinean poet Tamara Kamenszain. Taking as departure point the concept of “semiosphere” created by Iuri Lotman, this article confronts some features of the “semiotic personality” of La Havana and Buenos Aires as portrayed in the chosen corpus.María Lucía PuppoCentre de Recherches sur les Mondes Américainsarticleliterary citiespoetic discoursetwenty-first cenuryAnthropologyGN1-890Latin America. Spanish AmericaF1201-3799ENFRPTNuevo mundo - Mundos Nuevos (2009) |
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literary cities poetic discourse twenty-first cenury Anthropology GN1-890 Latin America. Spanish America F1201-3799 |
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literary cities poetic discourse twenty-first cenury Anthropology GN1-890 Latin America. Spanish America F1201-3799 María Lucía Puppo Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
description |
This paper focuses on a comparative analysis of contemporary urban space semiosis in both La Quinta de los Molinos (2000) written by the Cuban writer Nancy Morejón, and Solos y solas (2005) by the Argentinean poet Tamara Kamenszain. Taking as departure point the concept of “semiosphere” created by Iuri Lotman, this article confronts some features of the “semiotic personality” of La Havana and Buenos Aires as portrayed in the chosen corpus. |
format |
article |
author |
María Lucía Puppo |
author_facet |
María Lucía Puppo |
author_sort |
María Lucía Puppo |
title |
Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
title_short |
Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
title_full |
Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
title_fullStr |
Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
title_full_unstemmed |
Discurso poético y semiosfera urbana: miradas sobre La Habana y Buenos Aires a comienzos del siglo XXI |
title_sort |
discurso poético y semiosfera urbana: miradas sobre la habana y buenos aires a comienzos del siglo xxi |
publisher |
Centre de Recherches sur les Mondes Américains |
publishDate |
2009 |
url |
https://doaj.org/article/e0b5dbcc0e464f58aafaf01dcc62153e |
work_keys_str_mv |
AT marialuciapuppo discursopoeticoysemiosferaurbanamiradassobrelahabanaybuenosairesacomienzosdelsigloxxi |
_version_ |
1718397209162022912 |