The Meaning of Bali Aesthetic Code in the Animated Film Si Uma

This study aims to analyze the meaning of aesthetic code in the animated film "Si Uma." The animated film "Si Uma" needs to be investigated because the reanimated film shows Balinese culture's beauty and has a unique character shape. Visualization of Balinese culture in this...

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Autores principales: Hasbullah Hasbullah, I Wayan Mudra, I Wayan Swandi
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Publicado: Institut Seni Indonesia Surakarta 2021
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Acceso en línea:https://doaj.org/article/e1f9eb2804374b9eb1f9bfbbcb8016d5
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spelling oai:doaj.org-article:e1f9eb2804374b9eb1f9bfbbcb8016d52021-11-26T23:50:10ZThe Meaning of Bali Aesthetic Code in the Animated Film Si Uma1412-41812685-287X10.33153/dewaruci.v15i2.3164https://doaj.org/article/e1f9eb2804374b9eb1f9bfbbcb8016d52021-12-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/3164https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis study aims to analyze the meaning of aesthetic code in the animated film "Si Uma." The animated film "Si Uma" needs to be investigated because the reanimated film shows Balinese culture's beauty and has a unique character shape. Visualization of Balinese culture in this animated film contains a meaningful message for the life of the universe hitch conveyed through the form of code. The problem is what is the meaning of the Balinese aesthetic code represented in the animated film "Si Uma." The method used in this research is qualitative with data collection techniques through observation, interviews, and documentation. The technique of determining the source of data in this study is the Snowball sampling technique. Data sources were collected through interviews with Ida Bagus Surya Manuba, I Nyoman Suci Rasika, and Gede Pasek Putra Adnyana Yasa. Data analysis was carried out through data reduction, presentation, and conclusion drawing based on Ferdinand de Saussure's semiotic theory and Roland Barthes' postmodern aesthetic code. The results of this study indicate that the aesthetic code in the animated film "Si Uma" in the form of a semantic code is associated with a black and white patterned fabric sign (poleng) which contains the meaning of life balance in the universe; the cultural code is associated with a headband (udeng) containing meaning to concentrate thoughts or views (concentration) in every activity in Bali. In conclusion, the meaning of the aesthetic code in the animated film "Si Uma" is seen from two perspectives such as the semantic code in the form of Poleng Cloth is ideological containing the meaning of balance in life in the universe; cultural code in the form of a headband (udeng)is connotative which means to focus attention/thought, aesthetic, and cultural identity in worship and daily activitiesHasbullah HasbullahI Wayan MudraI Wayan SwandiInstitut Seni Indonesia Surakartaarticlecodeaesthetic balianimated filmsi umaFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 16, Iss 2, Pp 117-123 (2021)
institution DOAJ
collection DOAJ
language ID
topic code
aesthetic bali
animated film
si uma
Fine Arts
N
spellingShingle code
aesthetic bali
animated film
si uma
Fine Arts
N
Hasbullah Hasbullah
I Wayan Mudra
I Wayan Swandi
The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
description This study aims to analyze the meaning of aesthetic code in the animated film "Si Uma." The animated film "Si Uma" needs to be investigated because the reanimated film shows Balinese culture's beauty and has a unique character shape. Visualization of Balinese culture in this animated film contains a meaningful message for the life of the universe hitch conveyed through the form of code. The problem is what is the meaning of the Balinese aesthetic code represented in the animated film "Si Uma." The method used in this research is qualitative with data collection techniques through observation, interviews, and documentation. The technique of determining the source of data in this study is the Snowball sampling technique. Data sources were collected through interviews with Ida Bagus Surya Manuba, I Nyoman Suci Rasika, and Gede Pasek Putra Adnyana Yasa. Data analysis was carried out through data reduction, presentation, and conclusion drawing based on Ferdinand de Saussure's semiotic theory and Roland Barthes' postmodern aesthetic code. The results of this study indicate that the aesthetic code in the animated film "Si Uma" in the form of a semantic code is associated with a black and white patterned fabric sign (poleng) which contains the meaning of life balance in the universe; the cultural code is associated with a headband (udeng) containing meaning to concentrate thoughts or views (concentration) in every activity in Bali. In conclusion, the meaning of the aesthetic code in the animated film "Si Uma" is seen from two perspectives such as the semantic code in the form of Poleng Cloth is ideological containing the meaning of balance in life in the universe; cultural code in the form of a headband (udeng)is connotative which means to focus attention/thought, aesthetic, and cultural identity in worship and daily activities
format article
author Hasbullah Hasbullah
I Wayan Mudra
I Wayan Swandi
author_facet Hasbullah Hasbullah
I Wayan Mudra
I Wayan Swandi
author_sort Hasbullah Hasbullah
title The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
title_short The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
title_full The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
title_fullStr The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
title_full_unstemmed The Meaning of Bali Aesthetic Code in the Animated Film Si Uma
title_sort meaning of bali aesthetic code in the animated film si uma
publisher Institut Seni Indonesia Surakarta
publishDate 2021
url https://doaj.org/article/e1f9eb2804374b9eb1f9bfbbcb8016d5
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