"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after...
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Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
2012
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oai:doaj.org-article:e21f70ecfdfd4f58be2fc21746be43982021-11-24T12:43:08Z"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores10.23692/imex.2.72193-9756https://doaj.org/article/e21f70ecfdfd4f58be2fc21746be43982012-08-01T00:00:00Zhttps://www.imex-revista.com/spectators-on-bread-and-roses/https://doaj.org/toc/2193-9756This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after watching the film within the framework of a university course, "Cinema and migrations". The analysis is made from the perspective of reception theory and critical discourse analysis.Javier García CastañoDamián Esteban BretonesTamar AbuladzeProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Ringsarticleviewerssocial representationsimmigrationLanguage and LiteraturePENESiMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 1, Iss 2, Pp 86-108 (2012) |
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EN ES |
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viewers social representations immigration Language and Literature P |
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viewers social representations immigration Language and Literature P Javier García Castaño Damián Esteban Bretones Tamar Abuladze "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
description |
This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after watching the film within the framework of a university course, "Cinema and migrations". The analysis is made from the perspective of reception theory and critical discourse analysis. |
format |
article |
author |
Javier García Castaño Damián Esteban Bretones Tamar Abuladze |
author_facet |
Javier García Castaño Damián Esteban Bretones Tamar Abuladze |
author_sort |
Javier García Castaño |
title |
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
title_short |
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
title_full |
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
title_fullStr |
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
title_full_unstemmed |
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores |
title_sort |
"mirando" bread and roses (ken loach 2000) representaciones sociales de la inmigración en los discursos de espectadores |
publisher |
Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings |
publishDate |
2012 |
url |
https://doaj.org/article/e21f70ecfdfd4f58be2fc21746be4398 |
work_keys_str_mv |
AT javiergarciacastano mirandobreadandroseskenloach2000representacionessocialesdelainmigracionenlosdiscursosdeespectadores AT damianestebanbretones mirandobreadandroseskenloach2000representacionessocialesdelainmigracionenlosdiscursosdeespectadores AT tamarabuladze mirandobreadandroseskenloach2000representacionessocialesdelainmigracionenlosdiscursosdeespectadores |
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