"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores

This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after...

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Autores principales: Javier García Castaño, Damián Esteban Bretones, Tamar Abuladze
Formato: article
Lenguaje:EN
ES
Publicado: Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings 2012
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Acceso en línea:https://doaj.org/article/e21f70ecfdfd4f58be2fc21746be4398
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spelling oai:doaj.org-article:e21f70ecfdfd4f58be2fc21746be43982021-11-24T12:43:08Z"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores10.23692/imex.2.72193-9756https://doaj.org/article/e21f70ecfdfd4f58be2fc21746be43982012-08-01T00:00:00Zhttps://www.imex-revista.com/spectators-on-bread-and-roses/https://doaj.org/toc/2193-9756This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after watching the film within the framework of a university course, "Cinema and migrations". The analysis is made from the perspective of reception theory and critical discourse analysis.Javier García CastañoDamián Esteban BretonesTamar AbuladzeProf. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Ringsarticleviewerssocial representationsimmigrationLanguage and LiteraturePENESiMex. México Interdisciplinario/Interdisciplinary Mexico, Vol 1, Iss 2, Pp 86-108 (2012)
institution DOAJ
collection DOAJ
language EN
ES
topic viewers
social representations
immigration
Language and Literature
P
spellingShingle viewers
social representations
immigration
Language and Literature
P
Javier García Castaño
Damián Esteban Bretones
Tamar Abuladze
"Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
description This article analyzes the social representations on the migration phenomenon and labor issues present in Ken Loach’s Bread and Roses (2000). It explores and compares the director’s discourse (creative instance), the producer’s synopsis, and the synopses made by the viewers (receiving instance) after watching the film within the framework of a university course, "Cinema and migrations". The analysis is made from the perspective of reception theory and critical discourse analysis.
format article
author Javier García Castaño
Damián Esteban Bretones
Tamar Abuladze
author_facet Javier García Castaño
Damián Esteban Bretones
Tamar Abuladze
author_sort Javier García Castaño
title "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
title_short "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
title_full "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
title_fullStr "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
title_full_unstemmed "Mirando" Bread and Roses (Ken Loach 2000) Representaciones sociales de la inmigración en los discursos de espectadores
title_sort "mirando" bread and roses (ken loach 2000) representaciones sociales de la inmigración en los discursos de espectadores
publisher Prof. Dr. Vittoria Borsò, Prof. Dr. Frank Leinen, Jun.-Prof. Dr. Yasmin Temelli, Prof. Dr. Guido Rings
publishDate 2012
url https://doaj.org/article/e21f70ecfdfd4f58be2fc21746be4398
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AT damianestebanbretones mirandobreadandroseskenloach2000representacionessocialesdelainmigracionenlosdiscursosdeespectadores
AT tamarabuladze mirandobreadandroseskenloach2000representacionessocialesdelainmigracionenlosdiscursosdeespectadores
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