Le cinéma indonésien, miroir déformant d’une société en mutation

Indonesian cinema, which is a major part of the cultural life of young urban people from the middle and upper-classes, is made by directors for whom this national market represents the main target. Their films thus deal with subjects which especially concern this type of public. These works, which g...

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Autor principal:	Jean-Baptiste Bing
Formato:	article
Lenguaje:	EN FR
Publicado:	Université de Provence 2015
Materias:	Cinema Indonesia Social tensions Young urban National-modernism Globalization. History of Africa DT1-3415 Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/e25b671cc3714e3c8dbe19f1cdb32a5e
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id	oai:doaj.org-article:e25b671cc3714e3c8dbe19f1cdb32a5e
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spelling	oai:doaj.org-article:e25b671cc3714e3c8dbe19f1cdb32a5e2021-12-02T10:06:47ZLe cinéma indonésien, miroir déformant d’une société en mutation0997-13272105-227110.4000/remmm.8527https://doaj.org/article/e25b671cc3714e3c8dbe19f1cdb32a5e2015-05-01T00:00:00Zhttp://journals.openedition.org/remmm/8527https://doaj.org/toc/0997-1327https://doaj.org/toc/2105-2271Indonesian cinema, which is a major part of the cultural life of young urban people from the middle and upper-classes, is made by directors for whom this national market represents the main target. Their films thus deal with subjects which especially concern this type of public. These works, which go beyond a simple translation/reformulation that would just be a reflection of the interrogations and desires of the Indonesian yuppies contribute to legitimizing and addressing these questions. Indonesian cinema has taken advantage of the liberalization of the rights of expression following the process of democratization to stage and report (seen here through six examples) on several tensions and uncertainties in society: the role of the local cultures facing the national-modernism from Jakarta, the place of Islam in society, and other phenomena of attraction-repulsion about global flows which question inherited traditions.Jean-Baptiste BingUniversité de ProvencearticleCinemaIndonesiaSocial tensionsYoung urbanNational-modernismGlobalization.History of AfricaDT1-3415Social sciences (General)H1-99ENFRRevue des Mondes Musulmans et de la Méditerranée, Vol 137 (2015)
institution	DOAJ
collection	DOAJ
language	EN FR
topic	Cinema Indonesia Social tensions Young urban National-modernism Globalization. History of Africa DT1-3415 Social sciences (General) H1-99
spellingShingle	Cinema Indonesia Social tensions Young urban National-modernism Globalization. History of Africa DT1-3415 Social sciences (General) H1-99 Jean-Baptiste Bing Le cinéma indonésien, miroir déformant d’une société en mutation
description	Indonesian cinema, which is a major part of the cultural life of young urban people from the middle and upper-classes, is made by directors for whom this national market represents the main target. Their films thus deal with subjects which especially concern this type of public. These works, which go beyond a simple translation/reformulation that would just be a reflection of the interrogations and desires of the Indonesian yuppies contribute to legitimizing and addressing these questions. Indonesian cinema has taken advantage of the liberalization of the rights of expression following the process of democratization to stage and report (seen here through six examples) on several tensions and uncertainties in society: the role of the local cultures facing the national-modernism from Jakarta, the place of Islam in society, and other phenomena of attraction-repulsion about global flows which question inherited traditions.
format	article
author	Jean-Baptiste Bing
author_facet	Jean-Baptiste Bing
author_sort	Jean-Baptiste Bing
title	Le cinéma indonésien, miroir déformant d’une société en mutation
title_short	Le cinéma indonésien, miroir déformant d’une société en mutation
title_full	Le cinéma indonésien, miroir déformant d’une société en mutation
title_fullStr	Le cinéma indonésien, miroir déformant d’une société en mutation
title_full_unstemmed	Le cinéma indonésien, miroir déformant d’une société en mutation
title_sort	le cinéma indonésien, miroir déformant d’une société en mutation
publisher	Université de Provence
publishDate	2015
url	https://doaj.org/article/e25b671cc3714e3c8dbe19f1cdb32a5e
work_keys_str_mv	AT jeanbaptistebing lecinemaindonesienmiroirdeformantdunesocieteenmutation
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Le cinéma indonésien, miroir déformant d’une société en mutation

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