Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I

The article is dedicated to the creative biography of the Russian artist Tatyana Nikolaevna Gippius (1877–1957). The author bases on previously unknown materials from the Amherst archive (Massachusetts, USA) — T.N. Gippius’s letters- “diaries” of 1906–1908, addressed to her sister Zinaida Gippius, D...

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Autor principal: Margarita Pavlova
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RU
Publicado: Russian Academy of Sciences. A.M. Gorky Institute of World Literature 2019
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spelling oai:doaj.org-article:e2943e0c711f4f65b21e332a384d37902021-11-23T12:30:20ZMaterials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I10.22455/2541-8297-2019-14-109-1442541-82972542-2421https://doaj.org/article/e2943e0c711f4f65b21e332a384d37902019-12-01T00:00:00Zhttp://litfact.ru/images/2019-14/LF-2019-4-14_109-144_Pavlova.pdfhttps://doaj.org/toc/2541-8297https://doaj.org/toc/2542-2421The article is dedicated to the creative biography of the Russian artist Tatyana Nikolaevna Gippius (1877–1957). The author bases on previously unknown materials from the Amherst archive (Massachusetts, USA) — T.N. Gippius’s letters- “diaries” of 1906–1908, addressed to her sister Zinaida Gippius, D.S. Merezhkovsky and D.V. Filosofov. The relevance of the study is determined by the increased interest to the artist’s works; in recent years, experts have turned to the study of various aspects of her creative heritage, which is for the most part lost: painted and graphic portraits of her contemporaries, book illustrations, icon-portraiture, and art albums. The “diaries”, the main content of which is dependant upon the chronicle of the Merezhkovskys’ neoChristian commune’s inner life (its younger “nest”, led by T.N. Gippius), at the same time contain a lot of additional information about the artist’s earliest, most fruitful period: years of study at the Higher Art School of the Imperial Academy of Arts, relations with the head of the workshop I.E. Repin, reporting exhibitions, the circle of the author’s interests, classes in book graphics and illustrations of children's books. A special place in the article is given to T.N. Gippius’ collaboration with the children’s magazine “Tropinka” (“Path”, 1906–1912), led by N.I. Manaseina and P.S. Solovyova. The Appendix provides a bibliography of T.N. Gippius’ book illustrations.Margarita PavlovaRussian Academy of Sciences. A.M. Gorky Institute of World Literaturearticletatyana gippiuszinaida gippiusdmitry merezkovskyilya repinletters-“diaries”imperial academy of artsneo-christian communeLiterature (General)PN1-6790Slavic languages. Baltic languages. Albanian languagesPG1-9665ENRUЛитературный факт, Iss 4 (14), Pp 109-144 (2019)
institution DOAJ
collection DOAJ
language EN
RU
topic tatyana gippius
zinaida gippius
dmitry merezkovsky
ilya repin
letters-“diaries”
imperial academy of arts
neo-christian commune
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle tatyana gippius
zinaida gippius
dmitry merezkovsky
ilya repin
letters-“diaries”
imperial academy of arts
neo-christian commune
Literature (General)
PN1-6790
Slavic languages. Baltic languages. Albanian languages
PG1-9665
Margarita Pavlova
Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
description The article is dedicated to the creative biography of the Russian artist Tatyana Nikolaevna Gippius (1877–1957). The author bases on previously unknown materials from the Amherst archive (Massachusetts, USA) — T.N. Gippius’s letters- “diaries” of 1906–1908, addressed to her sister Zinaida Gippius, D.S. Merezhkovsky and D.V. Filosofov. The relevance of the study is determined by the increased interest to the artist’s works; in recent years, experts have turned to the study of various aspects of her creative heritage, which is for the most part lost: painted and graphic portraits of her contemporaries, book illustrations, icon-portraiture, and art albums. The “diaries”, the main content of which is dependant upon the chronicle of the Merezhkovskys’ neoChristian commune’s inner life (its younger “nest”, led by T.N. Gippius), at the same time contain a lot of additional information about the artist’s earliest, most fruitful period: years of study at the Higher Art School of the Imperial Academy of Arts, relations with the head of the workshop I.E. Repin, reporting exhibitions, the circle of the author’s interests, classes in book graphics and illustrations of children's books. A special place in the article is given to T.N. Gippius’ collaboration with the children’s magazine “Tropinka” (“Path”, 1906–1912), led by N.I. Manaseina and P.S. Solovyova. The Appendix provides a bibliography of T.N. Gippius’ book illustrations.
format article
author Margarita Pavlova
author_facet Margarita Pavlova
author_sort Margarita Pavlova
title Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
title_short Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
title_full Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
title_fullStr Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
title_full_unstemmed Materials for the creative biography of Tatyana Gippius (Based on the artist’s “diaries” for 1906–1908). Part I
title_sort materials for the creative biography of tatyana gippius (based on the artist’s “diaries” for 1906–1908). part i
publisher Russian Academy of Sciences. A.M. Gorky Institute of World Literature
publishDate 2019
url https://doaj.org/article/e2943e0c711f4f65b21e332a384d3790
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