The Image of a Hero in Western and Russian Social Advertising

The article is devoted to a comparative study of the image of a hero / superhero in Russian and Western social advertising. The relevance of the study is determined by the contrast of globalization processes, on the one hand, and the desire to preserve nationally oriented values, on the other. The n...

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Autores principales: A. G. Zhukova, E. A. Kartushina, A. S. Mamontov
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Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2019
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Acceso en línea:https://doaj.org/article/e3053143787c4b9d9daa9bb8ab3a8385
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spelling oai:doaj.org-article:e3053143787c4b9d9daa9bb8ab3a83852021-12-02T07:58:09ZThe Image of a Hero in Western and Russian Social Advertising2225-756X2227-129510.24224/2227-1295-2019-12-21-42https://doaj.org/article/e3053143787c4b9d9daa9bb8ab3a83852019-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1398https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to a comparative study of the image of a hero / superhero in Russian and Western social advertising. The relevance of the study is determined by the contrast of globalization processes, on the one hand, and the desire to preserve nationally oriented values, on the other. The novelty of the study lies in comparing the ideological and linguocultural representations of the image of the hero / superhero, reflected in the socio-advertising text. The results of the study are based on a contextual analysis of the geroy and hero tokens, supergeroy and superhero , as well as non-verbal symbols associated with these concepts presented in the structure of creolized advertising text. In the structure of the image of the hero / superhero, both semantic components (for example, a military metaphor) and specific representations that are determined by the cultural code and ideological identifications, are revealed that are common for Russian and Western social advertising. It is proved that those components of the hero’s image that are connected with the axiology of culture (“peaceful heroism” interpreted as socially approved behavior in general) are more likely to have positive connotations than those that are due to ideological ideas. It is concluded that the image of a superhero in Russian linguistic culture, on the one hand, is understandable and even already familiar, on the other hand, it is rejected as a representative of an alien culture and ideology.A. G. ZhukovaE. A. KartushinaA. S. MamontovTsentr nauchnykh i obrazovatelnykh proektovarticlesocial advertisingimage of a herosuperhero imagelanguage and ideologylanguage and globalizationsocial advertisingSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 12, Pp 21-42 (2019)
institution DOAJ
collection DOAJ
language RU
topic social advertising
image of a hero
superhero image
language and ideology
language and globalization
social advertising
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle social advertising
image of a hero
superhero image
language and ideology
language and globalization
social advertising
Slavic languages. Baltic languages. Albanian languages
PG1-9665
A. G. Zhukova
E. A. Kartushina
A. S. Mamontov
The Image of a Hero in Western and Russian Social Advertising
description The article is devoted to a comparative study of the image of a hero / superhero in Russian and Western social advertising. The relevance of the study is determined by the contrast of globalization processes, on the one hand, and the desire to preserve nationally oriented values, on the other. The novelty of the study lies in comparing the ideological and linguocultural representations of the image of the hero / superhero, reflected in the socio-advertising text. The results of the study are based on a contextual analysis of the geroy and hero tokens, supergeroy and superhero , as well as non-verbal symbols associated with these concepts presented in the structure of creolized advertising text. In the structure of the image of the hero / superhero, both semantic components (for example, a military metaphor) and specific representations that are determined by the cultural code and ideological identifications, are revealed that are common for Russian and Western social advertising. It is proved that those components of the hero’s image that are connected with the axiology of culture (“peaceful heroism” interpreted as socially approved behavior in general) are more likely to have positive connotations than those that are due to ideological ideas. It is concluded that the image of a superhero in Russian linguistic culture, on the one hand, is understandable and even already familiar, on the other hand, it is rejected as a representative of an alien culture and ideology.
format article
author A. G. Zhukova
E. A. Kartushina
A. S. Mamontov
author_facet A. G. Zhukova
E. A. Kartushina
A. S. Mamontov
author_sort A. G. Zhukova
title The Image of a Hero in Western and Russian Social Advertising
title_short The Image of a Hero in Western and Russian Social Advertising
title_full The Image of a Hero in Western and Russian Social Advertising
title_fullStr The Image of a Hero in Western and Russian Social Advertising
title_full_unstemmed The Image of a Hero in Western and Russian Social Advertising
title_sort image of a hero in western and russian social advertising
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2019
url https://doaj.org/article/e3053143787c4b9d9daa9bb8ab3a8385
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AT agzhukova imageofaheroinwesternandrussiansocialadvertising
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