Classical Histories, Colonial Objects: The Specimen Table Across Time and Space
This article seeks to contextualise the production, purchase, and display of specimen tables in the eighteenth and nineteenth centuries, considering their fragmentary forms as a material result of both British neoclassicism and imperialism. Made for an audience of (often British) travellers, collect...
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Yale University
2021
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oai:doaj.org-article:e365027fa07e4c8bb0c14faace94bcdc2021-12-01T10:54:21ZClassical Histories, Colonial Objects: The Specimen Table Across Time and Space10.17658/issn.2058-5462/issue-21/fgowrley2058-5462https://doaj.org/article/e365027fa07e4c8bb0c14faace94bcdc2021-11-01T00:00:00Zhttps://britishartstudies.ac.uk/issues/issue-index/issue-21/the-specimen-table-across-time-and-spacehttps://doaj.org/toc/2058-5462This article seeks to contextualise the production, purchase, and display of specimen tables in the eighteenth and nineteenth centuries, considering their fragmentary forms as a material result of both British neoclassicism and imperialism. Made for an audience of (often British) travellers, collectors, and settler colonists across the British empire and Continental Europe, specimen tables were named after the variety of specimens from which they were made, from pieces of marble (both newly sourced and procured from ancient ruins and monuments) to semi-precious hardstones and inlaid “exotic” woods. Reconceptualising the specimen table as a site that collapsed time and space, the article reads these objects through their fragmentary surfaces to explore how their interconnected forms echo their multitudinous connections across the complex geographies and temporalities of the British experience of travel and empire during the eighteenth and nineteenth centuries.Freya GowrleyYale UniversityarticleFine ArtsNArts in generalNX1-820ENBritish Art Studies, Iss 21 (2021) |
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Fine Arts N Arts in general NX1-820 |
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Fine Arts N Arts in general NX1-820 Freya Gowrley Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
description |
This article seeks to contextualise the production, purchase, and display of specimen tables in the eighteenth and nineteenth centuries, considering their fragmentary forms as a material result of both British neoclassicism and imperialism. Made for an audience of (often British) travellers, collectors, and settler colonists across the British empire and Continental Europe, specimen tables were named after the variety of specimens from which they were made, from pieces of marble (both newly sourced and procured from ancient ruins and monuments) to semi-precious hardstones and inlaid “exotic” woods. Reconceptualising the specimen table as a site that collapsed time and space, the article reads these objects through their fragmentary surfaces to explore how their interconnected forms echo their multitudinous connections across the complex geographies and temporalities of the British experience of travel and empire during the eighteenth and nineteenth centuries. |
format |
article |
author |
Freya Gowrley |
author_facet |
Freya Gowrley |
author_sort |
Freya Gowrley |
title |
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
title_short |
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
title_full |
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
title_fullStr |
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
title_full_unstemmed |
Classical Histories, Colonial Objects: The Specimen Table Across Time and Space |
title_sort |
classical histories, colonial objects: the specimen table across time and space |
publisher |
Yale University |
publishDate |
2021 |
url |
https://doaj.org/article/e365027fa07e4c8bb0c14faace94bcdc |
work_keys_str_mv |
AT freyagowrley classicalhistoriescolonialobjectsthespecimentableacrosstimeandspace |
_version_ |
1718405265859018752 |