«Haremos de Valencia una Atenas»
This article deals with the influence of Ancient Greek culture on Sorolla’s beach painting still strongly associated with his name nowadays. It also tells how the painter studied Greek art during his early training thus becoming greatly enthusiastic about it. According to Fauvey, this influence made...
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Edicions UIB
2021
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Accès en ligne: | https://doi.org/10.22307/2386.7124.2021.01.006 https://doaj.org/article/e3ee46f21e02481b8ce6f2723a6a6b01 |
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oai:doaj.org-article:e3ee46f21e02481b8ce6f2723a6a6b012021-11-05T19:53:36Z«Haremos de Valencia una Atenas»https://doi.org/10.22307/2386.7124.2021.01.0062386-7124https://doaj.org/article/e3ee46f21e02481b8ce6f2723a6a6b012021-09-01T00:00:00Zhttps://edicions.uib.es/ojs/index.php/mayurqa/article/view/613https://doaj.org/toc/2386-7124This article deals with the influence of Ancient Greek culture on Sorolla’s beach painting still strongly associated with his name nowadays. It also tells how the painter studied Greek art during his early training thus becoming greatly enthusiastic about it. According to Fauvey, this influence made a decisive mark on Sorolla’s paintings from «La vuelta de la pesca» (1894) (Return from fishing). On the beach, Sorolla came up with a genre based on his knowledge of Ancient Greek culture to show Mediterranean ties between Athens and Valencia. Sorolla’s beach would not become naturalist but mythical.Jordane FauveyEdicions UIBarticlesorollagreeceantiquityclassicismvalenciaHistory (General)D1-2009History of the artsNX440-632CAENESFRITMayurqa, Vol 3, Pp 73-87 (2021) |
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sorolla greece antiquity classicism valencia History (General) D1-2009 History of the arts NX440-632 |
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sorolla greece antiquity classicism valencia History (General) D1-2009 History of the arts NX440-632 Jordane Fauvey «Haremos de Valencia una Atenas» |
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This article deals with the influence of Ancient Greek culture on Sorolla’s beach painting still strongly associated with his name nowadays. It also tells how the painter studied Greek art during his early training thus becoming greatly enthusiastic about it. According to Fauvey, this influence made a decisive mark on Sorolla’s paintings from «La vuelta de la pesca» (1894) (Return from fishing). On the beach, Sorolla came up with a genre based on his knowledge of Ancient Greek culture to show Mediterranean ties between Athens and Valencia. Sorolla’s beach would not become naturalist but mythical. |
format |
article |
author |
Jordane Fauvey |
author_facet |
Jordane Fauvey |
author_sort |
Jordane Fauvey |
title |
«Haremos de Valencia una Atenas» |
title_short |
«Haremos de Valencia una Atenas» |
title_full |
«Haremos de Valencia una Atenas» |
title_fullStr |
«Haremos de Valencia una Atenas» |
title_full_unstemmed |
«Haremos de Valencia una Atenas» |
title_sort |
«haremos de valencia una atenas» |
publisher |
Edicions UIB |
publishDate |
2021 |
url |
https://doi.org/10.22307/2386.7124.2021.01.006 https://doaj.org/article/e3ee46f21e02481b8ce6f2723a6a6b01 |
work_keys_str_mv |
AT jordanefauvey haremosdevalenciaunaatenas |
_version_ |
1718444073670410240 |