Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson

The article is devoted to the comprehension of the novels of the outstanding English prose writer R. L. Stevenson in the context of the tradition of neo-romanticism. The author analyzes the reception of the term neo-romanticism in Russian literary criticism of the second half of the 20th and beginni...

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Autor principal: O. Yu. Osmuhina
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2019
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spelling oai:doaj.org-article:e4383258fcb1430d845843ea355321302021-12-02T07:58:09ZSpecifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson2225-756X2227-129510.24224/2227-1295-2019-11-173-185https://doaj.org/article/e4383258fcb1430d845843ea355321302019-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1444https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the comprehension of the novels of the outstanding English prose writer R. L. Stevenson in the context of the tradition of neo-romanticism. The author analyzes the reception of the term neo-romanticism in Russian literary criticism of the second half of the 20th and beginning of the 21st centuries, as well as the specifics of the writer’s key works in the context of the neo-romantic movement. As a result of a study based on the principles of a comparative-typological and holistic methods of analysis of a literary work, the author of the article comes to the following conclusions. Firstly, it is argued that neo-romanticism is a special trend of the turn of the 19th-20th centuries, characterized by a common ideological and aesthetic principles, typological similarities of the problems in the literature of different countries, while preserving the national specificity in the formulation of solutions to similar problems. Secondly, it was established that neo-romanticism in the work of R. L. Stevenson manifests itself in two versions: adventurous (“Treasure Island”) and real psychological (“The Strange case of Dr. Jekyll and Mr. Hyde”). The key signs of neo-romanticism were revealed: (1) optimistic pathos; (2) genre preference is given to an adventurous or psychological novel / novel with elements of Gothic; (3) the key problem is the struggle between Good and Evil both in the real world and in human nature; (4) the hero is the holder of a personal code of honor, a brave and fearless adventurer, passing in a series of trials the path of formation, as well as a reflective character with a split consciousness; (5) the pursuit of realism, the credibility of the story.O. Yu. OsmuhinaTsentr nauchnykh i obrazovatelnykh proektovarticler.l. stevensonduplicityheroenglish literatureneo-romanticismplotSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 173-185 (2019)
institution DOAJ
collection DOAJ
language RU
topic r.l. stevenson
duplicity
hero
english literature
neo-romanticism
plot
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle r.l. stevenson
duplicity
hero
english literature
neo-romanticism
plot
Slavic languages. Baltic languages. Albanian languages
PG1-9665
O. Yu. Osmuhina
Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
description The article is devoted to the comprehension of the novels of the outstanding English prose writer R. L. Stevenson in the context of the tradition of neo-romanticism. The author analyzes the reception of the term neo-romanticism in Russian literary criticism of the second half of the 20th and beginning of the 21st centuries, as well as the specifics of the writer’s key works in the context of the neo-romantic movement. As a result of a study based on the principles of a comparative-typological and holistic methods of analysis of a literary work, the author of the article comes to the following conclusions. Firstly, it is argued that neo-romanticism is a special trend of the turn of the 19th-20th centuries, characterized by a common ideological and aesthetic principles, typological similarities of the problems in the literature of different countries, while preserving the national specificity in the formulation of solutions to similar problems. Secondly, it was established that neo-romanticism in the work of R. L. Stevenson manifests itself in two versions: adventurous (“Treasure Island”) and real psychological (“The Strange case of Dr. Jekyll and Mr. Hyde”). The key signs of neo-romanticism were revealed: (1) optimistic pathos; (2) genre preference is given to an adventurous or psychological novel / novel with elements of Gothic; (3) the key problem is the struggle between Good and Evil both in the real world and in human nature; (4) the hero is the holder of a personal code of honor, a brave and fearless adventurer, passing in a series of trials the path of formation, as well as a reflective character with a split consciousness; (5) the pursuit of realism, the credibility of the story.
format article
author O. Yu. Osmuhina
author_facet O. Yu. Osmuhina
author_sort O. Yu. Osmuhina
title Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
title_short Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
title_full Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
title_fullStr Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
title_full_unstemmed Specifics of the Breaking of Neo-Romantic Tradition in the Work of R. L. Stevenson
title_sort specifics of the breaking of neo-romantic tradition in the work of r. l. stevenson
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2019
url https://doaj.org/article/e4383258fcb1430d845843ea35532130
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