Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage

It is well established that immigration brings about fundamental changes and the immigrant faces significant challenges in the new culture. The present research uses Homi Bhabha’s critical theories of mimicry and ambivalence to determine the effects of ‘state of mimicry’, and to pinpoint the ‘site o...

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Autor principal: Alireza Sardari
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Lenguaje:EN
Publicado: Universitas Udayana 2021
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Acceso en línea:https://doi.org/10.24843/LJLC.2021.v12.i02.p01
https://doaj.org/article/e490f422dc5447ad8b0909247ccd079b
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spelling oai:doaj.org-article:e490f422dc5447ad8b0909247ccd079b2021-11-29T20:17:25ZImmigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriagehttps://doi.org/10.24843/LJLC.2021.v12.i02.p012527-6719https://doaj.org/article/e490f422dc5447ad8b0909247ccd079b2021-11-01T00:00:00Zhttps://ojs.unud.ac.id/index.php/languange/article/view/77404/42054https://doaj.org/toc/2527-6719It is well established that immigration brings about fundamental changes and the immigrant faces significant challenges in the new culture. The present research uses Homi Bhabha’s critical theories of mimicry and ambivalence to determine the effects of ‘state of mimicry’, and to pinpoint the ‘site of identity’ in the immigration experience in Chimamanda Ngozi Adichie’s The Arrangers of Marriage (2009). The results indicate that antagonist’s (Ofodile) ‘state of mimicry’ continuously grows him apart from his wife Chinaza (protagonist) and intensifies gender inequality against her in their relationship. In addition, the results indicate that protagonist’s ‘site of identity’ is fluid and not fixed, and this place-less-ness of identity is because of the never-ending comparison between her past with the present situation she experiences as an immigrant.Alireza SardariUniversitas Udayanaarticleafrican literaturepostcolonial theoryimmigrationgender inequalityLanguage and LiteraturePENLingual, Vol 12, Iss 2, Pp 3-8 (2021)
institution DOAJ
collection DOAJ
language EN
topic african literature
postcolonial theory
immigration
gender inequality
Language and Literature
P
spellingShingle african literature
postcolonial theory
immigration
gender inequality
Language and Literature
P
Alireza Sardari
Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
description It is well established that immigration brings about fundamental changes and the immigrant faces significant challenges in the new culture. The present research uses Homi Bhabha’s critical theories of mimicry and ambivalence to determine the effects of ‘state of mimicry’, and to pinpoint the ‘site of identity’ in the immigration experience in Chimamanda Ngozi Adichie’s The Arrangers of Marriage (2009). The results indicate that antagonist’s (Ofodile) ‘state of mimicry’ continuously grows him apart from his wife Chinaza (protagonist) and intensifies gender inequality against her in their relationship. In addition, the results indicate that protagonist’s ‘site of identity’ is fluid and not fixed, and this place-less-ness of identity is because of the never-ending comparison between her past with the present situation she experiences as an immigrant.
format article
author Alireza Sardari
author_facet Alireza Sardari
author_sort Alireza Sardari
title Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
title_short Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
title_full Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
title_fullStr Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
title_full_unstemmed Immigration in The Postcolonial Era: Mimicry and Ambivalence in Chimamanda Ngozi Adichie’s The Arrangers of Marriage
title_sort immigration in the postcolonial era: mimicry and ambivalence in chimamanda ngozi adichie’s the arrangers of marriage
publisher Universitas Udayana
publishDate 2021
url https://doi.org/10.24843/LJLC.2021.v12.i02.p01
https://doaj.org/article/e490f422dc5447ad8b0909247ccd079b
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