Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim

Discourses of Post-memory in Contemporary Transnational German Film The article is dedicated to the problem of trauma and death shown in contemporary transnational (made by directors living in Germany, but of non-German origin) German feature, documentary and experimental film. It raises the que...

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Autor principal:	Ewa Fiuk
Formato:	article
Lenguaje:	EN PL
Publicado:	Ksiegarnia Akademicka Publishing 2020
Materias:	postpamięć postmigracje ludobójstwo śmierć trauma Law K Political science J
Acceso en línea:	https://doaj.org/article/e4ced4a35d9345e896ce5da8fd13299b
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id	oai:doaj.org-article:e4ced4a35d9345e896ce5da8fd13299b
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spelling	oai:doaj.org-article:e4ced4a35d9345e896ce5da8fd13299b2021-11-27T13:12:08ZDyskursy postpamięci we współczesnym transnarodowym filmie niemieckim 10.12797/Politeja.17.2020.65.111733-67162391-6737https://doaj.org/article/e4ced4a35d9345e896ce5da8fd13299b2020-04-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/1394https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 Discourses of Post-memory in Contemporary Transnational German Film The article is dedicated to the problem of trauma and death shown in contemporary transnational (made by directors living in Germany, but of non-German origin) German feature, documentary and experimental film. It raises the question of how the medium of film within its various narration and depiction modes (re)creates memory and post-memory, and at the same time it can be seen as a way to reclaim history in its personal or cultural dimension. The following films have been discussed: Totentraum (1995) and In fremder Erde (2001) by Ayhan Salar, Passing Drama (1999) by Angela Melitopoulos and The Cut (2014) by Fatih Akin. For this purpose, the author has implemented inter alia Aleida and Jan Assmann’s theory of memory. Ewa FiukKsiegarnia Akademicka PublishingarticlepostpamięćpostmigracjeludobójstwośmierćtraumaLawKPolitical scienceJENPLPoliteja, Vol 17, Iss 2(65) (2020)
institution	DOAJ
collection	DOAJ
language	EN PL
topic	postpamięć postmigracje ludobójstwo śmierć trauma Law K Political science J
spellingShingle	postpamięć postmigracje ludobójstwo śmierć trauma Law K Political science J Ewa Fiuk Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
description	Discourses of Post-memory in Contemporary Transnational German Film The article is dedicated to the problem of trauma and death shown in contemporary transnational (made by directors living in Germany, but of non-German origin) German feature, documentary and experimental film. It raises the question of how the medium of film within its various narration and depiction modes (re)creates memory and post-memory, and at the same time it can be seen as a way to reclaim history in its personal or cultural dimension. The following films have been discussed: Totentraum (1995) and In fremder Erde (2001) by Ayhan Salar, Passing Drama (1999) by Angela Melitopoulos and The Cut (2014) by Fatih Akin. For this purpose, the author has implemented inter alia Aleida and Jan Assmann’s theory of memory.
format	article
author	Ewa Fiuk
author_facet	Ewa Fiuk
author_sort	Ewa Fiuk
title	Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
title_short	Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
title_full	Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
title_fullStr	Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
title_full_unstemmed	Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
title_sort	dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim
publisher	Ksiegarnia Akademicka Publishing
publishDate	2020
url	https://doaj.org/article/e4ced4a35d9345e896ce5da8fd13299b
work_keys_str_mv	AT ewafiuk dyskursypostpamieciwewspołczesnymtransnarodowymfilmieniemieckim
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Dyskursy postpamięci we współczesnym transnarodowym filmie niemieckim

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