Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale

The objective here is to show by a philosophical approach how ecological art contributes to re-qualify environmental times. The basic argument is that one cannot separate the philosophical foundation of problems and the true nature of time, the “Duration” defined by Bergson as a pure intensity under...

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Autor principal:	Sylvie Pouteau
Formato:	article
Lenguaje:	FR
Publicado:	Éditions en environnement VertigO 2016
Materias:	ecological art positive difference duration time aesthetics art-scientific experimentation environmental ethics Environmental sciences GE1-350
Acceso en línea:	https://doaj.org/article/e5a2db9fa6914732a6d00856dc2c462f
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id	oai:doaj.org-article:e5a2db9fa6914732a6d00856dc2c462f
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spelling	oai:doaj.org-article:e5a2db9fa6914732a6d00856dc2c462f2021-12-02T09:59:16ZDes modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale1492-844210.4000/vertigo.16976https://doaj.org/article/e5a2db9fa6914732a6d00856dc2c462f2016-05-01T00:00:00Zhttp://journals.openedition.org/vertigo/16976https://doaj.org/toc/1492-8442The objective here is to show by a philosophical approach how ecological art contributes to re-qualify environmental times. The basic argument is that one cannot separate the philosophical foundation of problems and the true nature of time, the “Duration” defined by Bergson as a pure intensity underlying all differences in nature. Environmental emergency allows the criticism of time conceived as a spatial dimension, a time that is intrinsically non sustainable. By encouraging a new proximity between art and science, ecological art practices create sensitive tensioning of this criticism in the form of heterochronies – « other » times. The analysis of a number of examples leads to identify three modes of aesthetic expression : i) aesthetics of the ephemeral, cyclic and archaic ; ii) aesthetics of the ongoing, evolving and entangled ; iii) aesthetics of the still, dematerialized and upcoming. The wordings of these different aesthetic modes are identified in a case study, the exhibition-laboratory « The living and its energy » conducted at Inra in Versailles in 2013. This experiment shows the relevance of creating new research situations by forging closer ties between artistic induction, scientific reflection and a philosophy engaged in action. The aim of such practices is to address current mutations of relation to time, their expression in a new aesthetics of Duration and their capacity to sustain an ethics of care by intensity relations.Sylvie PouteauÉditions en environnement VertigOarticleecological artpositive differencedurationtime aestheticsart-scientific experimentationenvironmental ethicsEnvironmental sciencesGE1-350FRVertigO, Vol 16, Iss 1 (2016)
institution	DOAJ
collection	DOAJ
language	FR
topic	ecological art positive difference duration time aesthetics art-scientific experimentation environmental ethics Environmental sciences GE1-350
spellingShingle	ecological art positive difference duration time aesthetics art-scientific experimentation environmental ethics Environmental sciences GE1-350 Sylvie Pouteau Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
description	The objective here is to show by a philosophical approach how ecological art contributes to re-qualify environmental times. The basic argument is that one cannot separate the philosophical foundation of problems and the true nature of time, the “Duration” defined by Bergson as a pure intensity underlying all differences in nature. Environmental emergency allows the criticism of time conceived as a spatial dimension, a time that is intrinsically non sustainable. By encouraging a new proximity between art and science, ecological art practices create sensitive tensioning of this criticism in the form of heterochronies – « other » times. The analysis of a number of examples leads to identify three modes of aesthetic expression : i) aesthetics of the ephemeral, cyclic and archaic ; ii) aesthetics of the ongoing, evolving and entangled ; iii) aesthetics of the still, dematerialized and upcoming. The wordings of these different aesthetic modes are identified in a case study, the exhibition-laboratory « The living and its energy » conducted at Inra in Versailles in 2013. This experiment shows the relevance of creating new research situations by forging closer ties between artistic induction, scientific reflection and a philosophy engaged in action. The aim of such practices is to address current mutations of relation to time, their expression in a new aesthetics of Duration and their capacity to sustain an ethics of care by intensity relations.
format	article
author	Sylvie Pouteau
author_facet	Sylvie Pouteau
author_sort	Sylvie Pouteau
title	Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
title_short	Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
title_full	Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
title_fullStr	Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
title_full_unstemmed	Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
title_sort	des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale
publisher	Éditions en environnement VertigO
publishDate	2016
url	https://doaj.org/article/e5a2db9fa6914732a6d00856dc2c462f
work_keys_str_mv	AT sylviepouteau desmodalitesdinterventionartsciencephilosophiquepoureprouverlestemporalitesdelurgenceenvironnementale
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Des modalités d’intervention « art-science-philosophique » pour éprouver les temporalités de l’urgence environnementale

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