MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010

MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010

This article is the result of a study entitled “A Study of the Meaning of Black and White Paintings by I.G.N. Nurata from1990-2010.†The study takes as its object the black and white paintings of I.G.N. Nurata as a medium of expression, andaims to: 1) describe and analyze the background to the cr...

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Autor principal: Maraja Sitompul
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Publicado: Institut Seni Indonesia Surakarta 2016
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Fine Arts
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Acceso en línea:https://doaj.org/article/e630478d8a5a4ee9bc90dfebf20ab492
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spelling oai:doaj.org-article:e630478d8a5a4ee9bc90dfebf20ab4922021-11-26T03:25:51ZMAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-20101412-41812685-287X10.33153/dewaruci.v8i3.1127https://doaj.org/article/e630478d8a5a4ee9bc90dfebf20ab4922016-02-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1127https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis article is the result of a study entitled “A Study of the Meaning of Black and White Paintings by I.G.N. Nurata from1990-2010.†The study takes as its object the black and white paintings of I.G.N. Nurata as a medium of expression, andaims to: 1) describe and analyze the background to the creation of I.G.N. Nurata’s black and white paintings; 2) describe andanalyze the form of I.G.N. Nurata’s black and white paintings; and 3) describe the response of the observer towards I.G.N.Nurata’s black and white paintings. In order to obtain the necessary results, the research method adopted a holistic approachwhich focussed on six of I.G.N. Nurata’s black and white paintings. The method used for collecting data included abibliographical study, participatory observation, documentation, and interviews. The data was analyzed mainly through aninterpretational analysis. Based on the results of the research, it could be concluded that: 1) I.G.N. Nurata’s black and whitepaintings between 1990 and 2000 are visualized strongly in imaginary forms, through traditional visual language andcultural codes, in order to articulate symbolism and metaphors; 2) I.G.N. Nurata’s black and white paintings between 2001and 2010 are still visualized in imaginary form, through traditional visual language and cultural codes, with the addition ofan increasingly intense use of elements of modern visual language such as the use of volume and perspective; and 3) On thewhole, there is a message of harmony between the macro, micro, and meta cosmos, in accordance with the doctrine “Tri HitaKarana†which teaches us how to live in harmony with God, with other people, and with nature, including the spiritualworld. Keywords: Symbols through imaginative form, Visual Metaphors, Black and White PaintingsMaraja SitompulInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 8, Iss 3 (2016)
institution DOAJ
collection DOAJ
language ID
topic Fine Arts
N
spellingShingle Fine Arts
N
Maraja Sitompul
MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
description This article is the result of a study entitled “A Study of the Meaning of Black and White Paintings by I.G.N. Nurata from1990-2010.†The study takes as its object the black and white paintings of I.G.N. Nurata as a medium of expression, andaims to: 1) describe and analyze the background to the creation of I.G.N. Nurata’s black and white paintings; 2) describe andanalyze the form of I.G.N. Nurata’s black and white paintings; and 3) describe the response of the observer towards I.G.N.Nurata’s black and white paintings. In order to obtain the necessary results, the research method adopted a holistic approachwhich focussed on six of I.G.N. Nurata’s black and white paintings. The method used for collecting data included abibliographical study, participatory observation, documentation, and interviews. The data was analyzed mainly through aninterpretational analysis. Based on the results of the research, it could be concluded that: 1) I.G.N. Nurata’s black and whitepaintings between 1990 and 2000 are visualized strongly in imaginary forms, through traditional visual language andcultural codes, in order to articulate symbolism and metaphors; 2) I.G.N. Nurata’s black and white paintings between 2001and 2010 are still visualized in imaginary form, through traditional visual language and cultural codes, with the addition ofan increasingly intense use of elements of modern visual language such as the use of volume and perspective; and 3) On thewhole, there is a message of harmony between the macro, micro, and meta cosmos, in accordance with the doctrine “Tri HitaKarana†which teaches us how to live in harmony with God, with other people, and with nature, including the spiritualworld. Keywords: Symbols through imaginative form, Visual Metaphors, Black and White Paintings
format article
author Maraja Sitompul
author_facet Maraja Sitompul
author_sort Maraja Sitompul
title MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
title_short MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
title_full MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
title_fullStr MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
title_full_unstemmed MAKNA SENI LUKIS HITAM PUTIH KARYA I.G.N NURATA TAHUN 1990-2010
title_sort makna seni lukis hitam putih karya i.g.n nurata tahun 1990-2010
publisher Institut Seni Indonesia Surakarta
publishDate 2016
url https://doaj.org/article/e630478d8a5a4ee9bc90dfebf20ab492
work_keys_str_mv AT marajasitompul maknasenilukishitamputihkaryaignnuratatahun19902010
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