Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”

Horace’s Ode III 9 and Its Interpretations The role of Horace in the history of European literature is obvious and tremendous, his works were paraphrased and translated by many authors (e.g. by B. Jonson, H. Tournier, J.H. Voss, E. Mörike, Fr. Gehlen, E. Geibel, M. Radnóti, and in Poland by L.H....

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Autor principal:	Agata Łuka
Formato:	article
Lenguaje:	EN FR PL
Publicado:	Ksiegarnia Akademicka Publishing 2021
Materias:	Horace Sarbiewski Radnóti Carmina III 9 (“Donec gratus”) the Second Asclepiadean (according to the most accessible English editions) Translating and interpreting P306-310
Acceso en línea:	https://doaj.org/article/e8b32328513e475eb93bef11524feb9d
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spelling	oai:doaj.org-article:e8b32328513e475eb93bef11524feb9d2021-11-27T13:04:13ZTranslatorskie losy pieśni Horacego „Ad Lydiam meretricem”10.12797/MOaP.20.2014.26.051689-91212391-6745https://doaj.org/article/e8b32328513e475eb93bef11524feb9d2021-06-01T00:00:00Zhttps://journals.akademicka.pl/moap/article/view/1912https://doaj.org/toc/1689-9121https://doaj.org/toc/2391-6745 Horace’s Ode III 9 and Its Interpretations The role of Horace in the history of European literature is obvious and tremendous, his works were paraphrased and translated by many authors (e.g. by B. Jonson, H. Tournier, J.H. Voss, E. Mörike, Fr. Gehlen, E. Geibel, M. Radnóti, and in Poland by L.H. Morstin, T.F. Hahn, S. Gołębiowski, A. Lam). His carmen “Ad Lydiam” (Carmina III 9) is Horace’s only ode composed as a dialogue. Translations of this ode are numerous and various, usually rhymed or rhythmic, occasionally isometric. Among the authors of the latter ones German translators excel; German as a language of quantity is ideal to show Horace’s metrical pattern both by keeping a fixed number of syllables (8 in every odd, 12 in every even verse) and the arrangement of stressed and unstressed elements. There are no Polish isometric translations of ode III 9, as they usually sound unnaturally or even oddly (from the 16th century onward Polish is not a language of quantity any more). In recent years excellent isometric translations of odes composed in the Second Asclepiadean were written by E. Buszewicz (Horacy, Carm. I 13; Sarbiewski, Lyr. I 19 and III 2). Isometric translation of Horace’s ode III 9 by a Hungarian poet Moklós Radnóti was in turn used by Ferenc Sebő as the lyrics of a song entitled “Lydiához”. The music of the song was then used by the Polish band Brathanki, although lyrics by Z. Książek do not refer to Horace’s Latin original. There is, however, something interesting about it: because of the fact, that the lyrics were written for already composed music, the vocalists of the band unknowingly sing the rythm of the ancient Second Asclepiadean II. The author of a paper presents her own isometric translation of carmen “Ad Lydiam” into Polish. Agata ŁukaKsiegarnia Akademicka PublishingarticleHoraceSarbiewskiRadnótiCarmina III 9 (“Donec gratus”)the Second Asclepiadean (according to the most accessible English editions)Translating and interpretingP306-310ENFRPLMiędzy Oryginałem a Przekładem, Vol 20, Iss 4(26) (2021)
institution	DOAJ
collection	DOAJ
language	EN FR PL
topic	Horace Sarbiewski Radnóti Carmina III 9 (“Donec gratus”) the Second Asclepiadean (according to the most accessible English editions) Translating and interpreting P306-310
spellingShingle	Horace Sarbiewski Radnóti Carmina III 9 (“Donec gratus”) the Second Asclepiadean (according to the most accessible English editions) Translating and interpreting P306-310 Agata Łuka Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
description	Horace’s Ode III 9 and Its Interpretations The role of Horace in the history of European literature is obvious and tremendous, his works were paraphrased and translated by many authors (e.g. by B. Jonson, H. Tournier, J.H. Voss, E. Mörike, Fr. Gehlen, E. Geibel, M. Radnóti, and in Poland by L.H. Morstin, T.F. Hahn, S. Gołębiowski, A. Lam). His carmen “Ad Lydiam” (Carmina III 9) is Horace’s only ode composed as a dialogue. Translations of this ode are numerous and various, usually rhymed or rhythmic, occasionally isometric. Among the authors of the latter ones German translators excel; German as a language of quantity is ideal to show Horace’s metrical pattern both by keeping a fixed number of syllables (8 in every odd, 12 in every even verse) and the arrangement of stressed and unstressed elements. There are no Polish isometric translations of ode III 9, as they usually sound unnaturally or even oddly (from the 16th century onward Polish is not a language of quantity any more). In recent years excellent isometric translations of odes composed in the Second Asclepiadean were written by E. Buszewicz (Horacy, Carm. I 13; Sarbiewski, Lyr. I 19 and III 2). Isometric translation of Horace’s ode III 9 by a Hungarian poet Moklós Radnóti was in turn used by Ferenc Sebő as the lyrics of a song entitled “Lydiához”. The music of the song was then used by the Polish band Brathanki, although lyrics by Z. Książek do not refer to Horace’s Latin original. There is, however, something interesting about it: because of the fact, that the lyrics were written for already composed music, the vocalists of the band unknowingly sing the rythm of the ancient Second Asclepiadean II. The author of a paper presents her own isometric translation of carmen “Ad Lydiam” into Polish.
format	article
author	Agata Łuka
author_facet	Agata Łuka
author_sort	Agata Łuka
title	Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
title_short	Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
title_full	Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
title_fullStr	Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
title_full_unstemmed	Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”
title_sort	translatorskie losy pieśni horacego „ad lydiam meretricem”
publisher	Ksiegarnia Akademicka Publishing
publishDate	2021
url	https://doaj.org/article/e8b32328513e475eb93bef11524feb9d
work_keys_str_mv	AT agatałuka translatorskielosypiesnihoracegoadlydiammeretricem
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Translatorskie losy pieśni Horacego „Ad Lydiam meretricem”

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