The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene
Edmund Spenser’s epic Arthurian-centric poem The Faerie Queene (1590, 1596) is permeated by fairy tales and old wives’ tales, but the very presence of the tales and their tellers is problematic, as these feminine voices are often included only to be silenced (Miller 6). Spenser’s anxiety of female v...
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University of Edinburgh
2009
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oai:doaj.org-article:e8f94b86b4114258ac850da98197a5ad2021-11-23T09:46:00ZThe Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene1749-9771https://doaj.org/article/e8f94b86b4114258ac850da98197a5ad2009-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/627https://doaj.org/toc/1749-9771Edmund Spenser’s epic Arthurian-centric poem The Faerie Queene (1590, 1596) is permeated by fairy tales and old wives’ tales, but the very presence of the tales and their tellers is problematic, as these feminine voices are often included only to be silenced (Miller 6). Spenser’s anxiety of female voices, narratives, sources, and genres, becomes manifested in one very complicated and often overlooked character: the Old Woman in the Cave of Lust. This Old Woman is only found in one canto of Spenser’s epic poem (IV.vii) and is denied a voice; she isn’t given one line of dialogue. The very fact that this Old Woman emerges into the text, is ambiguously portrayed, temporarily vilified, and then retreats from the text unscathed demonstrates the power of the female voice in Spenser’s text.Colleen E. KennedyUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 09 (2009) |
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Fine Arts N Language and Literature P Colleen E. Kennedy The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
description |
Edmund Spenser’s epic Arthurian-centric poem The Faerie Queene (1590, 1596) is permeated by fairy tales and old wives’ tales, but the very presence of the tales and their tellers is problematic, as these feminine voices are often included only to be silenced (Miller 6). Spenser’s anxiety of female voices, narratives, sources, and genres, becomes manifested in one very complicated and often overlooked character: the Old Woman in the Cave of Lust. This Old Woman is only found in one canto of Spenser’s epic poem (IV.vii) and is denied a voice; she isn’t given one line of dialogue. The very fact that this Old Woman emerges into the text, is ambiguously portrayed, temporarily vilified, and then retreats from the text unscathed demonstrates the power of the female voice in Spenser’s text. |
format |
article |
author |
Colleen E. Kennedy |
author_facet |
Colleen E. Kennedy |
author_sort |
Colleen E. Kennedy |
title |
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
title_short |
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
title_full |
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
title_fullStr |
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
title_full_unstemmed |
The Old Woman in the Cave of Lust: Edmund Spenser's Silenced Feminine Voices in The Faerie Queene |
title_sort |
old woman in the cave of lust: edmund spenser's silenced feminine voices in the faerie queene |
publisher |
University of Edinburgh |
publishDate |
2009 |
url |
https://doaj.org/article/e8f94b86b4114258ac850da98197a5ad |
work_keys_str_mv |
AT colleenekennedy theoldwomaninthecaveoflustedmundspenserssilencedfemininevoicesinthefaeriequeene AT colleenekennedy oldwomaninthecaveoflustedmundspenserssilencedfemininevoicesinthefaeriequeene |
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