Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the f...
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| Formato: | article |
| Lenguaje: | EN ES |
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Universitat Autònoma de Barcelona
2016
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| Acceso en línea: | https://doaj.org/article/e9a6bc9a31e249e9b2801f202eeb0d27 |
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| Sumario: | Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fifties, abstraction- as innovative mediums to represent the environment of violence, in a century characterized by the revolution, subversion and general discomfort in the country |
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