Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question

Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the f...

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Autor principal:	Andrea de la Rubia
Formato:	article
Lenguaje:	EN ES
Publicado:	Universitat Autònoma de Barcelona 2016
Materias:	nepali art democracy abstraction globalization hybrid censorship modernism General Works A
Acceso en línea:	https://doaj.org/article/e9a6bc9a31e249e9b2801f202eeb0d27
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id	oai:doaj.org-article:e9a6bc9a31e249e9b2801f202eeb0d27
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spelling	oai:doaj.org-article:e9a6bc9a31e249e9b2801f202eeb0d272021-12-02T17:00:41ZReflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question2339-852310.5565/rev/indialogs.43https://doaj.org/article/e9a6bc9a31e249e9b2801f202eeb0d272016-04-01T00:00:00Zhttps://revistes.uab.cat/indialogs/article/view/43https://doaj.org/toc/2339-8523Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fifties, abstraction- as innovative mediums to represent the environment of violence, in a century characterized by the revolution, subversion and general discomfort in the countryAndrea de la RubiaUniversitat Autònoma de Barcelonaarticlenepali artdemocracyabstractionglobalizationhybridcensorshipmodernismGeneral WorksAENESIndialogs: Spanish Journal of India Studies, Vol 3, Iss 0, Pp 57-79 (2016)
institution	DOAJ
collection	DOAJ
language	EN ES
topic	nepali art democracy abstraction globalization hybrid censorship modernism General Works A
spellingShingle	nepali art democracy abstraction globalization hybrid censorship modernism General Works A Andrea de la Rubia Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
description	Since the new libertarian and democratic ideologies typical of the West arrived in Nepal through India, the Nepalese society experienced a series of changes that were unavoidably reflected in a new artistic wave. The Nepalese painters adopted the Western styles -particularly realism and, from the fifties, abstraction- as innovative mediums to represent the environment of violence, in a century characterized by the revolution, subversion and general discomfort in the country
format	article
author	Andrea de la Rubia
author_facet	Andrea de la Rubia
author_sort	Andrea de la Rubia
title	Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
title_short	Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
title_full	Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
title_fullStr	Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
title_full_unstemmed	Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question
title_sort	reflections of violence and international policy in modern abstract painting of nepal: an unsolved question
publisher	Universitat Autònoma de Barcelona
publishDate	2016
url	https://doaj.org/article/e9a6bc9a31e249e9b2801f202eeb0d27
work_keys_str_mv	AT andreadelarubia reflectionsofviolenceandinternationalpolicyinmodernabstractpaintingofnepalanunsolvedquestion
_version_	1718382245535809536

Reflections of Violence and International Policy in Modern Abstract Painting of Nepal: an Unsolved Question

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