Assessing Forming Techniques of Athenian Ceramic Alabastra
Athenian black-figure and red-figure vases have not been the subject of many studies specifically devoted to vase-forming techniques, since researchers have primarily focused on their decoration. The study of the Attic alabastron, a perfume vase shape produced in Athens between the middle of the six...
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oai:doaj.org-article:e9e450536795488bab4329b79929886e2021-12-01T14:42:35ZAssessing Forming Techniques of Athenian Ceramic Alabastra2212-8956https://doaj.org/article/e9e450536795488bab4329b79929886e2021-08-01T00:00:00Zhttps://exarc.net/ark:/88735/10596https://doaj.org/toc/2212-8956Athenian black-figure and red-figure vases have not been the subject of many studies specifically devoted to vase-forming techniques, since researchers have primarily focused on their decoration. The study of the Attic alabastron, a perfume vase shape produced in Athens between the middle of the sixth century and the beginning of the fourth century BC, shows that different techniques were occasionally used by potters in the making of a vase or its various parts. This paper will therefore focus on highlighting the different forming techniques that can be hypothesised through the observation and drawing of fine wares.Isabelle AlgrainEXARCarticleceramicsgreeceMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2021/3 (2021) |
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ceramics greece Museums. Collectors and collecting AM1-501 Archaeology CC1-960 |
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ceramics greece Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Isabelle Algrain Assessing Forming Techniques of Athenian Ceramic Alabastra |
description |
Athenian black-figure and red-figure vases have not been the subject of many studies specifically devoted to vase-forming techniques, since researchers have primarily focused on their decoration. The study of the Attic alabastron, a perfume vase shape produced in Athens between the middle of the sixth century and the beginning of the fourth century BC, shows that different techniques were occasionally used by potters in the making of a vase or its various parts. This paper will therefore focus on highlighting the different forming techniques that can be hypothesised through the observation and drawing of fine wares. |
format |
article |
author |
Isabelle Algrain |
author_facet |
Isabelle Algrain |
author_sort |
Isabelle Algrain |
title |
Assessing Forming Techniques of Athenian Ceramic Alabastra |
title_short |
Assessing Forming Techniques of Athenian Ceramic Alabastra |
title_full |
Assessing Forming Techniques of Athenian Ceramic Alabastra |
title_fullStr |
Assessing Forming Techniques of Athenian Ceramic Alabastra |
title_full_unstemmed |
Assessing Forming Techniques of Athenian Ceramic Alabastra |
title_sort |
assessing forming techniques of athenian ceramic alabastra |
publisher |
EXARC |
publishDate |
2021 |
url |
https://doaj.org/article/e9e450536795488bab4329b79929886e |
work_keys_str_mv |
AT isabellealgrain assessingformingtechniquesofathenianceramicalabastra |
_version_ |
1718404905143631872 |