“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination

Abstract Scientific investigations of artworks are crucial in terms of preservation since they provide a measurable evaluation of the materials and the state of conservation. This is the case of Antonello da Messina’s painting “Ecce Homo”: its delicate state of conservation, with the need for consta...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Fauzia Albertin, Chiara Ruberto, Costanza Cucci, Marco Callieri, Marco Potenziani, Eliana Siotto, Paolo Pingi, Roberto Scopigno, Matteo Bettuzzi, Rosa Brancaccio, Maria Pia Morigi, Lisa Castelli, Francesco Taccetti, Marcello Picollo, Lorenzo Stefani, Francesca de Vita
Formato: article
Lenguaje:EN
Publicado: Nature Portfolio 2021
Materias:
R
Q
Acceso en línea:https://doaj.org/article/ea31781761044097937d1e7ca5826bbf
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:ea31781761044097937d1e7ca5826bbf
record_format dspace
spelling oai:doaj.org-article:ea31781761044097937d1e7ca5826bbf2021-12-02T16:34:05Z“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination10.1038/s41598-021-95212-22045-2322https://doaj.org/article/ea31781761044097937d1e7ca5826bbf2021-08-01T00:00:00Zhttps://doi.org/10.1038/s41598-021-95212-2https://doaj.org/toc/2045-2322Abstract Scientific investigations of artworks are crucial in terms of preservation since they provide a measurable evaluation of the materials and the state of conservation. This is the case of Antonello da Messina’s painting “Ecce Homo”: its delicate state of conservation, with the need for constant monitoring, required a broad and in-depth diagnostic campaign to support the restorers. The project was carried out entirely in situ using non-invasive cutting-edge techniques and proposes a multimodal and data-centric approach, integrating 3D and 2D methodologies. The surface irregularities and the support were analysed with a structured-light 3D scanner and X-ray tomography. The painting materials were investigated with X-ray fluorescence scanning (MA-XRF) and reflectance hyperspectral imaging (HSI). Primarily, the data were jointly used for a scientific scope and provided new knowledge of the painting in terms of materials and painting techniques. In addition, two web-based interactive platforms were developed: one to provide restorers and experts with a new perspective of the hidden geometries of the painting, and the other targeted at the general public for dissemination purposes. The results of the Ecce Homo scientific analysis were exhibited, using a touch-screen interface, and developed for different user levels, from adults to kids.Fauzia AlbertinChiara RubertoCostanza CucciMarco CallieriMarco PotenzianiEliana SiottoPaolo PingiRoberto ScopignoMatteo BettuzziRosa BrancaccioMaria Pia MorigiLisa CastelliFrancesco TaccettiMarcello PicolloLorenzo StefaniFrancesca de VitaNature PortfolioarticleMedicineRScienceQENScientific Reports, Vol 11, Iss 1, Pp 1-18 (2021)
institution DOAJ
collection DOAJ
language EN
topic Medicine
R
Science
Q
spellingShingle Medicine
R
Science
Q
Fauzia Albertin
Chiara Ruberto
Costanza Cucci
Marco Callieri
Marco Potenziani
Eliana Siotto
Paolo Pingi
Roberto Scopigno
Matteo Bettuzzi
Rosa Brancaccio
Maria Pia Morigi
Lisa Castelli
Francesco Taccetti
Marcello Picollo
Lorenzo Stefani
Francesca de Vita
“Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
description Abstract Scientific investigations of artworks are crucial in terms of preservation since they provide a measurable evaluation of the materials and the state of conservation. This is the case of Antonello da Messina’s painting “Ecce Homo”: its delicate state of conservation, with the need for constant monitoring, required a broad and in-depth diagnostic campaign to support the restorers. The project was carried out entirely in situ using non-invasive cutting-edge techniques and proposes a multimodal and data-centric approach, integrating 3D and 2D methodologies. The surface irregularities and the support were analysed with a structured-light 3D scanner and X-ray tomography. The painting materials were investigated with X-ray fluorescence scanning (MA-XRF) and reflectance hyperspectral imaging (HSI). Primarily, the data were jointly used for a scientific scope and provided new knowledge of the painting in terms of materials and painting techniques. In addition, two web-based interactive platforms were developed: one to provide restorers and experts with a new perspective of the hidden geometries of the painting, and the other targeted at the general public for dissemination purposes. The results of the Ecce Homo scientific analysis were exhibited, using a touch-screen interface, and developed for different user levels, from adults to kids.
format article
author Fauzia Albertin
Chiara Ruberto
Costanza Cucci
Marco Callieri
Marco Potenziani
Eliana Siotto
Paolo Pingi
Roberto Scopigno
Matteo Bettuzzi
Rosa Brancaccio
Maria Pia Morigi
Lisa Castelli
Francesco Taccetti
Marcello Picollo
Lorenzo Stefani
Francesca de Vita
author_facet Fauzia Albertin
Chiara Ruberto
Costanza Cucci
Marco Callieri
Marco Potenziani
Eliana Siotto
Paolo Pingi
Roberto Scopigno
Matteo Bettuzzi
Rosa Brancaccio
Maria Pia Morigi
Lisa Castelli
Francesco Taccetti
Marcello Picollo
Lorenzo Stefani
Francesca de Vita
author_sort Fauzia Albertin
title “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
title_short “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
title_full “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
title_fullStr “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
title_full_unstemmed “Ecce Homo” by Antonello da Messina, from non-invasive investigations to data fusion and dissemination
title_sort “ecce homo” by antonello da messina, from non-invasive investigations to data fusion and dissemination
publisher Nature Portfolio
publishDate 2021
url https://doaj.org/article/ea31781761044097937d1e7ca5826bbf
work_keys_str_mv AT fauziaalbertin eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT chiararuberto eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT costanzacucci eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT marcocallieri eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT marcopotenziani eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT elianasiotto eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT paolopingi eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT robertoscopigno eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT matteobettuzzi eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT rosabrancaccio eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT mariapiamorigi eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT lisacastelli eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT francescotaccetti eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT marcellopicollo eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT lorenzostefani eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
AT francescadevita eccehomobyantonellodamessinafromnoninvasiveinvestigationstodatafusionanddissemination
_version_ 1718383786171826176