Visual Analysis and Right Wing (Populist) Groups

<span class="abs_content">The following article main contribution falls within the domain of methodology as it draws attention on the strength of visual analysis within the field of study of populism. The work elaborates on a visual analy-sis of the posters published to advertise two...

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Autor principal:	Angela Adami
Formato:	article
Lenguaje:	EN
Publicado:	Coordinamento SIBA 2020
Materias:	visual analysis visual semiotics communicative camouflage catholic fundamentalism populist radical right Political science (General) JA1-92
Acceso en línea:	https://doaj.org/article/ea916d7935af43109ae1a5b12b40b1ec
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spelling	oai:doaj.org-article:ea916d7935af43109ae1a5b12b40b1ec2021-11-21T15:11:41ZVisual Analysis and Right Wing (Populist) Groups1972-76232035-660910.1285/i20356609v13i1p315https://doaj.org/article/ea916d7935af43109ae1a5b12b40b1ec2020-04-01T00:00:00Zhttp://siba-ese.unisalento.it/index.php/paco/article/view/21991https://doaj.org/toc/1972-7623https://doaj.org/toc/2035-6609<span class="abs_content">The following article main contribution falls within the domain of methodology as it draws attention on the strength of visual analysis within the field of study of populism. The work elaborates on a visual analy-sis of the posters published to advertise two events – a concert in memory of Jan Palash and the World Congress of Families – organized in Verona in the early months of 2019 by a set of organizations linked to the right and the extreme right and to conservative catholic stances. These politicized organizations carry out a specific type of cultural-political work and operate at the edge of the political sphere, by building alliances with (extreme) right-wing political actors and by lobbying political institutions. The visual analysis is geared at bringing agencies and ambivalences to the fore and allows to uncover (a) the 'communicative camouflage' of these organizations who spread radical right and catholic conservative messages, traditionally marked by highly recognizable communication features and symbols, in more neutral, moderate and positive forms; (b) the deployment of some populist elements in their communication strategy, such as the reference to welfare chauvinism, to the first Conte government as well as the identification of the 'natural family' as an homogenizing category associated with the good and moral side of society. While these features are per se not sufficient to define these organizations as fully populist actors, they are nonetheless important to underscore the role played by these organizations in spreading extremely polarized messages in a more digestible way for broader audiences by means of a communicative camouflage and of populist elements in their communication strategy.</span><br />Angela AdamiCoordinamento SIBAarticlevisual analysisvisual semioticscommunicative camouflagecatholic fundamentalismpopulist radical rightPolitical science (General)JA1-92ENPartecipazione e Conflitto, Vol 13, Iss 1, Pp 315-336 (2020)
institution	DOAJ
collection	DOAJ
language	EN
topic	visual analysis visual semiotics communicative camouflage catholic fundamentalism populist radical right Political science (General) JA1-92
spellingShingle	visual analysis visual semiotics communicative camouflage catholic fundamentalism populist radical right Political science (General) JA1-92 Angela Adami Visual Analysis and Right Wing (Populist) Groups
description	<span class="abs_content">The following article main contribution falls within the domain of methodology as it draws attention on the strength of visual analysis within the field of study of populism. The work elaborates on a visual analy-sis of the posters published to advertise two events – a concert in memory of Jan Palash and the World Congress of Families – organized in Verona in the early months of 2019 by a set of organizations linked to the right and the extreme right and to conservative catholic stances. These politicized organizations carry out a specific type of cultural-political work and operate at the edge of the political sphere, by building alliances with (extreme) right-wing political actors and by lobbying political institutions. The visual analysis is geared at bringing agencies and ambivalences to the fore and allows to uncover (a) the 'communicative camouflage' of these organizations who spread radical right and catholic conservative messages, traditionally marked by highly recognizable communication features and symbols, in more neutral, moderate and positive forms; (b) the deployment of some populist elements in their communication strategy, such as the reference to welfare chauvinism, to the first Conte government as well as the identification of the 'natural family' as an homogenizing category associated with the good and moral side of society. While these features are per se not sufficient to define these organizations as fully populist actors, they are nonetheless important to underscore the role played by these organizations in spreading extremely polarized messages in a more digestible way for broader audiences by means of a communicative camouflage and of populist elements in their communication strategy.</span><br />
format	article
author	Angela Adami
author_facet	Angela Adami
author_sort	Angela Adami
title	Visual Analysis and Right Wing (Populist) Groups
title_short	Visual Analysis and Right Wing (Populist) Groups
title_full	Visual Analysis and Right Wing (Populist) Groups
title_fullStr	Visual Analysis and Right Wing (Populist) Groups
title_full_unstemmed	Visual Analysis and Right Wing (Populist) Groups
title_sort	visual analysis and right wing (populist) groups
publisher	Coordinamento SIBA
publishDate	2020
url	https://doaj.org/article/ea916d7935af43109ae1a5b12b40b1ec
work_keys_str_mv	AT angelaadami visualanalysisandrightwingpopulistgroups
_version_	1718418737351098368

Visual Analysis and Right Wing (Populist) Groups

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