Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980

The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two impor- tant Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira. I noticed that a pulverization of aesthetical...

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Autor principal:	Carla Delgado de Souza
Formato:	article
Lenguaje:	PT
Publicado:	Universidade do Vale do Rio dos Sinos (UNISINOS) 2017
Materias:	music avant gard modernity Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/ebbfc31668a34dc49b2fb39e1ff1a728
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spelling	oai:doaj.org-article:ebbfc31668a34dc49b2fb39e1ff1a7282021-11-11T15:42:01ZEntre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 19802177-6229https://doaj.org/article/ebbfc31668a34dc49b2fb39e1ff1a7282017-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93854911008https://doaj.org/toc/2177-6229The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two impor- tant Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira. I noticed that a pulverization of aesthetical fights and movements not occurred only in Brazil, but also in the Euroamerican context in that moment. Those alterations were connected to political and aesthetical perceptions. Besides that, the discourse in favor of an approximation of popular artistic creation was present in the creative process of these two composers, in a movement characterized by the musical field as “aesthetical overture” or “post-modernism musical”. Therefore, I seek to demonstrate the process that led to the dissolution of some practices and discourses of important social actors of avant-gard music in the period between 1960 and 1980 in Brazil.Carla Delgado de SouzaUniversidade do Vale do Rio dos Sinos (UNISINOS)articlemusicavantgardmodernitySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 53, Iss 3, Pp 467-477 (2017)
institution	DOAJ
collection	DOAJ
language	PT
topic	music avant gard modernity Social Sciences H Social sciences (General) H1-99
spellingShingle	music avant gard modernity Social Sciences H Social sciences (General) H1-99 Carla Delgado de Souza Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
description	The goal of this paper is to understand how some changes in the Brazilian classical music field since the late 1970s happened, through the analysis of the trajectory of two impor- tant Brazilian composers: Gilberto Mendes and Willy Corrêa de Oliveira. I noticed that a pulverization of aesthetical fights and movements not occurred only in Brazil, but also in the Euroamerican context in that moment. Those alterations were connected to political and aesthetical perceptions. Besides that, the discourse in favor of an approximation of popular artistic creation was present in the creative process of these two composers, in a movement characterized by the musical field as “aesthetical overture” or “post-modernism musical”. Therefore, I seek to demonstrate the process that led to the dissolution of some practices and discourses of important social actors of avant-gard music in the period between 1960 and 1980 in Brazil.
format	article
author	Carla Delgado de Souza
author_facet	Carla Delgado de Souza
author_sort	Carla Delgado de Souza
title	Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
title_short	Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
title_full	Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
title_fullStr	Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
title_full_unstemmed	Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980
title_sort	entre práticas e discursos: gilberto mendes, willy corrêa de oliveira e o campo da música erudita brasileira pós 1980
publisher	Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate	2017
url	https://doaj.org/article/ebbfc31668a34dc49b2fb39e1ff1a728
work_keys_str_mv	AT carladelgadodesouza entrepraticasediscursosgilbertomendeswillycorreadeoliveiraeocampodamusicaeruditabrasileirapos1980
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Entre práticas e discursos: Gilberto Mendes, Willy Corrêa de Oliveira e o campo da música erudita brasileira pós 1980

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