The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga
The Bantu language Rukiga (JE14, Uganda) shows tonal reduction on the verb in a subset of tenses, similar to the conjoint/disjoint alternation in Haya. Whereas in other languages the conjoint/disjoint alternation is usually marked by segmental morphology in at least one tense, Rukiga is unique in s...
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2020
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oai:doaj.org-article:ec09fc44653949eebdc09d7fb1c8a25a2021-11-19T03:51:52ZThe Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga10.32473/sal.v49i1.1222610039-35332154-428Xhttps://doaj.org/article/ec09fc44653949eebdc09d7fb1c8a25a2020-05-01T00:00:00Zhttps://journals.flvc.org/sal/article/view/122261https://doaj.org/toc/0039-3533https://doaj.org/toc/2154-428X The Bantu language Rukiga (JE14, Uganda) shows tonal reduction on the verb in a subset of tenses, similar to the conjoint/disjoint alternation in Haya. Whereas in other languages the conjoint/disjoint alternation is usually marked by segmental morphology in at least one tense, Rukiga is unique in showing only tonal reduction. Nevertheless, our analysis shows that tonal reduction in Rukiga is not merely a phonological rule, but it encodes the conjoint/disjoint alternation. Furthermore, we show that tonal reduction in Rukiga is determined by constituent-finality, and there is no direct relation to focus Jenneke van der WalAllen AsiimweLibraryPress@UFarticletone;focus;Bantu;conjoint/disjoint;phrasingPhilology. LinguisticsP1-1091ENFRStudies in African Linguistics, Vol 49, Iss 1 (2020) |
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tone; focus; Bantu; conjoint/disjoint; phrasing Philology. Linguistics P1-1091 |
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tone; focus; Bantu; conjoint/disjoint; phrasing Philology. Linguistics P1-1091 Jenneke van der Wal Allen Asiimwe The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
description |
The Bantu language Rukiga (JE14, Uganda) shows tonal reduction on the verb in a subset of tenses, similar to the conjoint/disjoint alternation in Haya. Whereas in other languages the conjoint/disjoint alternation is usually marked by segmental morphology in at least one tense, Rukiga is unique in showing only tonal reduction. Nevertheless, our analysis shows that tonal reduction in Rukiga is not merely a phonological rule, but it encodes the conjoint/disjoint alternation. Furthermore, we show that tonal reduction in Rukiga is determined by constituent-finality, and there is no direct relation to focus
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format |
article |
author |
Jenneke van der Wal Allen Asiimwe |
author_facet |
Jenneke van der Wal Allen Asiimwe |
author_sort |
Jenneke van der Wal |
title |
The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
title_short |
The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
title_full |
The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
title_fullStr |
The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
title_full_unstemmed |
The Tonal Residue of the Conjoint/Disjoint Alternation in Rukiga |
title_sort |
tonal residue of the conjoint/disjoint alternation in rukiga |
publisher |
LibraryPress@UF |
publishDate |
2020 |
url |
https://doaj.org/article/ec09fc44653949eebdc09d7fb1c8a25a |
work_keys_str_mv |
AT jennekevanderwal thetonalresidueoftheconjointdisjointalternationinrukiga AT allenasiimwe thetonalresidueoftheconjointdisjointalternationinrukiga AT jennekevanderwal tonalresidueoftheconjointdisjointalternationinrukiga AT allenasiimwe tonalresidueoftheconjointdisjointalternationinrukiga |
_version_ |
1718420642753150976 |