Robida’s Mormons

Nineteenth-century French observers fascinated with the American West appropriated cultural aspects of the region in a variety of ways. This transnational exchange included “Mormons,” members of the Church of Jesus Christ of Latter-day Saints who migrated progressively west from the Missouri and Ill...

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Autor principal: Daryl Lee
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Publicado: Association Française d'Etudes Américaines 2019
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Acceso en línea:https://doaj.org/article/ec839e2ad2f842c3aba042f4345648b9
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spelling oai:doaj.org-article:ec839e2ad2f842c3aba042f4345648b92021-12-02T10:14:37ZRobida’s Mormons1765-276610.4000/transatlantica.10869https://doaj.org/article/ec839e2ad2f842c3aba042f4345648b92019-05-01T00:00:00Zhttp://journals.openedition.org/transatlantica/10869https://doaj.org/toc/1765-2766Nineteenth-century French observers fascinated with the American West appropriated cultural aspects of the region in a variety of ways. This transnational exchange included “Mormons,” members of the Church of Jesus Christ of Latter-day Saints who migrated progressively west from the Missouri and Illinois frontiers in the 1830s and 40s to the Great Basin after 1847, where they established an extensive network of colonies. Author-illustrator Albert Robida depicted the “polygamist sect” in venues such as Le Journal amusant and La Caricature, and in two novels, his Jules Verne-inspired Voyages très extraordinaires de Saturnin Farandoul (1879) and the futuristic satire Le Vingtième siècle (1883) set in 1953. In the latter, Robida conflated orientalist stereotypes abounding in accounts of Mormon polygamy and in French salon painting, by removing the Mormons from the Rocky Mountains and transplanting them to Europe in order to think through French preoccupations with geopolitics, colonization, and the role of women in society.Daryl LeeAssociation Française d'Etudes AméricainesarticleRobidaMormonismcaricaturefuturismThird Republicthe woman questionHistory AmericaE-FAmericaE11-143ENFRTransatlantica : Revue d'Études Américaines, Vol 2 (2019)
institution DOAJ
collection DOAJ
language EN
FR
topic Robida
Mormonism
caricature
futurism
Third Republic
the woman question
History America
E-F
America
E11-143
spellingShingle Robida
Mormonism
caricature
futurism
Third Republic
the woman question
History America
E-F
America
E11-143
Daryl Lee
Robida’s Mormons
description Nineteenth-century French observers fascinated with the American West appropriated cultural aspects of the region in a variety of ways. This transnational exchange included “Mormons,” members of the Church of Jesus Christ of Latter-day Saints who migrated progressively west from the Missouri and Illinois frontiers in the 1830s and 40s to the Great Basin after 1847, where they established an extensive network of colonies. Author-illustrator Albert Robida depicted the “polygamist sect” in venues such as Le Journal amusant and La Caricature, and in two novels, his Jules Verne-inspired Voyages très extraordinaires de Saturnin Farandoul (1879) and the futuristic satire Le Vingtième siècle (1883) set in 1953. In the latter, Robida conflated orientalist stereotypes abounding in accounts of Mormon polygamy and in French salon painting, by removing the Mormons from the Rocky Mountains and transplanting them to Europe in order to think through French preoccupations with geopolitics, colonization, and the role of women in society.
format article
author Daryl Lee
author_facet Daryl Lee
author_sort Daryl Lee
title Robida’s Mormons
title_short Robida’s Mormons
title_full Robida’s Mormons
title_fullStr Robida’s Mormons
title_full_unstemmed Robida’s Mormons
title_sort robida’s mormons
publisher Association Française d'Etudes Américaines
publishDate 2019
url https://doaj.org/article/ec839e2ad2f842c3aba042f4345648b9
work_keys_str_mv AT daryllee robidasmormons
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